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Buy for $14.93 (7 items) |
01. Refuse/Resist 02. Territory 03. Slave New World 04. Amen 05. Kaiowas 06. Propaganda 07. Biotech Is Godzilla 08. Nomad 09. We Who Are Not As Others 10. Manifest 11. The Hunt [New Model Army cover] 12. Clenched Fist 13. Chaos B.C. [Refuse/Resist remix][American re-issue bonus] 14. Kaiowas (Tribal Jam) [American re-issue bonus] 15. Territory [live][American re-issue bonus] 16. Amen/Inner Self [live][American re-issue bonus] 17. Policia [Titãs cover] [bonus] 18. Inhuman Nature [Final Conflict cover] [bonus]
Top 20 albums of 1993: 17
Review
Lyrics (14) |
Additional info Produced by Andy Wallace
Co-Produced by Sepultura
Mixed and Recorded by Andy Wallace
Recorded at Rockfield Studios, S. Wales, England
Assistant Engineer: Simon Dawson
Guitar Sound/Feedback Advisor: Alex Newport
Studio Roadie: Silvio Bibika
"Kaiowas"* recorded at Chepstow Castle, S. Wales, England
Mixed at The Wool Hall Recording Studio, Bath, England
Assistant Engineer: Dave Somers
Mastered by George Matino at Sterling Sound, New York, NY
A&R: Monte Conner & Michael Goldstone
All lyrics by Max Cavalera, except: "Territory" & "Nomad" by Andreas Kisser, "Slave New World" by Max Cavalera and Evan Seinfeld, and "Biotech is Godzilla" by Jello Biafra
All music written by Sepultura, except "The Hunt", music and lyrics by New Model Army (Sullivan/Heaton).
Cover Illustration: Michael R. Whelan
Band Photography: Garry Monroe
CD label art: Paul Booth
"Carandiru Massacre" photo is the property of Banco De Dados Da Folha De São Paulo, Photo by Sergio Andrade
Art Direction: Ioannis & Liz Vap for Vivid Images
All songs published by Roadblock Music, INC. (ASCAP)/Roadster Music B.V. except "The Hunt" published by Attack Attack Music, LTD. Admin. by Intersong USA INC. (ASCAP), and "Biotech is Godzilla" published by Roadblock Music, INC. (ASCAP)/Maim That Tune (BMI)/Roadster Music B.V. |
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Guest review by Gorey
Rating:
9.5
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It was good old times, when Max Cavalera was still brutally screaming in Sepultura, and the Brazilian band strongly came on the international scene. The four men from Belo Horizonte could foresee a glorious future after Beneath the Remains and the huge Arise in 1990. It was the time when Sepultura was used to scream its rage against the Brazilian society that was oppressing the most penniless.
Read more ›› |
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| published 19.09.2003 | Comments (10)
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Found in 19 lists
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Korah - 01.03.2012 at 22:03
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| Rating: 9 |
Great album. Sepultura let the Thrash for something heavier. This album is a turn in the Max Cavalera career!
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| Rating: 9 |
Among the first metal albums that I heard and loved, and I still appreciate it until this day
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| Rating: 10 |
One word "classic"
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megadeath13 - 25.11.2012 at 18:35
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Its not a thrash metal album but a great modern groove metal album. I like it a lot.
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| Rating: 8 |
This is a great mixture of styles and influences. Some punk riffs, some thrash riffs, tribal pseudo Latin drumming, some groovy riffs with not too much emphasize on the groove and you cannot forget Max's furious shout.
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| Rating: 9 |
Coming after the awesome "Arise" (which I consider to be the pinnacle for Sepultura), this one was a bit of a letdown. However, I still like this album a lot, and it's experimental vibe definitely rubs me up the right way. The heightened emphasis on tribal/latin sounds really gave this album a unique sound at the time, and as someone who bought this album at the time of it's release, it remains a landmark release due to that factor. It does lack the sheer steamrolling power of it's predecessor, but it does have a captivating charm, that is impossible to ignore.
Certainly as a more experimental work, this album succeeds where it's immediate follow-up ("Roots") largely failed. It is a shame there is only one moment of breakneck thrash on the album ("Biotech Is Godzilla"), but I do love most of the songs on the album when taken individually. And "Refuse/Resist" is a classic opener!
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