15:40 - !J.O.O.E.! The new Sunn album is pretty guff. A whole third of the album is just a poorly recorded studio version of Cannon from the Domkirke live album, except the Domkirke version sounds much, much better.
15:37 - Karlabos I hate it when sites don't remember my password even though I told them so
14:43 - BlackEssence again - I forgot name of game about Bathory
14:39 - mz this wipes out a lot of competition for death metal this year [link]
11:39 - BlackEssence Oh my, this cover of "Mother Earth Father Thunder" by Manegram and Quorthons sister is outstanding...
10:50 - LeKiwi I'm sure some of you will have heard this release already, but I added a review for 6:33's 2015 album to my list. Check it out :) [link]
06:35 - Jericho Rehling Kamelot killed it. I rarely listen to power metal anymore but damn they've got it.
Additional info Produced by Boss
Recorded at Montezuma Studio, Stockholm Sweden
Album cover design by Quorthon
Album front cover photo by Rick Ridgew and Oscar Kihlborg
Album back cover design, construction and photo by Quorthon
A follow up album to Hammerheart, very epic indeed, and with wonderful musicianship involved, as always. A worthy album for it's predecessor.
The album indeed starts out with an eerie wind atmosphere, it slowly adds up to loud guitars and depthy drums, very powerful indeed. The first song I think, is very great, the weakest part is probably Quorthons vocals, which maybe could've been a tad louder, and maybe better sang? Not sure, the rest of the song is just amazing work, in my opinion. Very atmospheric and somewhat doomish. It's 14 plus minute length seems to fly by as you sit and enjoy the music, it fades out with great acoustics and atmospherics (the wind.) You can practically see the mist.
It doesn't quite reach the standards set by 'hammerheart' in my opinion, but it comes damn close. The title track is a legendary epic, and most of the songs here really grab your attention with their victorious melodies and viking imagery. Brilliant album, even if it is the last truly brilliant bathory album.
This album and all his later albums all are not listenable due to his damaged vocals.
I like his vocals on this and especially the 2 Nordlands. I'm not hearing damaged vocals.
His vocals started gaining more textured on Blood Fire Death and Hammerheart, especially Blood Fire Death which packed with wonderful black "harsh shrieking" that really damaged his vocals few years later. His vocals became thin which can't drag to the extreme (most of the time stop half way), what a shame.