Buy for
$2.60
(11 items)

Release date: 22 April 1997
Style: Progressive metal

Rating:

8.6 | 132 votes

Owners:

172 have it
12 want it


01. A Pleasant Shade Of Gray Part I
02. A Pleasant Shade Of Gray Part II
03. A Pleasant Shade Of Gray Part III
04. A Pleasant Shade Of Gray Part IV
05. A Pleasant Shade Of Gray Part V
06. A Pleasant Shade Of Gray Part VI
07. A Pleasant Shade Of Gray Part VII
08. A Pleasant Shade Of Gray Part VIII
09. A Pleasant Shade Of Gray Part IX
10. A Pleasant Shade Of Gray Part X
11. A Pleasant Shade Of Gray Part XI
12. A Pleasant Shade Of Gray Part XII

Review
Lyrics (12)


Line-up
Ray Alder - vocals
Jim Matheos - guitars, guitar synth
Mark ''Thunder Child'' Zonder - drums, vocals
Joey Vera - bass

Guest musicians
Kevin Moore - keyboards, piano
Bill Metoyer - vocals
Lydia Montagnese - vocals
Terry Brown - vocals
Lindsay Matheos - vocals


Additional info
Recorded, produced, and mixed by Terry Brown at the Carriage House, Stamford, CT in November-December 1996.
Assistant engineers: Andy Katz and Joe Peccerillo.
Mastering: Eddie Schreyer at Oasis.

Pre-production: Bill's Place.

Art direction and design: Ioannis and Steven Jacaruso at Vivid Images Int.

Photography: Ioannis and Heide Coyle.

Guest review by
janhuss

Rating:
9.5
Well, when someone is speaking of progressive rock, usually, you could think of Dream Theater or Symphony X. But, no, for sure, there are many other bands in this field that deserve a high degree of attention. And one of these bands is, certainly, Fates Warning. This band could be considered as one of the founders of progressive metal in the late 80s.

Read more ››
published 07.10.2004 | Comments (8)

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Comments

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NocturnalStalker - 08.08.2013 at 17:46  
Rating: 9 If "Inside Out" was a continuation of "Parallels" (in musical style), then "A Pleasant Shade of Gray" is something new compared to its predecessor. No, not fundamentally new, but still the changes are substantial, in my opinion.
First of all, Ray Alder continues with his emotional vocal manner but adds to it some subtlety, which provides for a wonderful result. Then, Jim Matheos manages to come up with quite a handful of great (and hard) riffs. And the last, but definitely not the least, the addition of Joey Vera on bass made that often undeservingly put into the back of the mix instrument really shine.
My verdict - a great progressive metal album and one of the jewels of Fates Warning discography.

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