06:35 - Apothecary We'll just have to agree to disagree then, as much as I love both bands, I still consider Zeppelin and Deep Purple hard rock at the very most
06:34 - flightoficarus Big sale at Willowtip. Best band there besides Ulcerate and Gigan?
06:33 - Apothecary Doom/stoner/sludge has its roots in Sabbath, and power and speed/thrash in Priest. I'd say everything else was just bands taking those categories and then building upon them to create new ones
06:30 - deadone That doesn't preclude Deep Purple and Led Zeppelin being pioneers in heavy metal and as such considered part of the genre, even though they happily sit outside it sometimes.
06:28 - Apothecary You're probably right for NWOBHM, but I would say that was because they were mostly influenced by Priest, not Sabbath. I think those bands very much started two divergent roads in metal, but both were the unofficial "pioneers"
05:24 - deadone That's historical revisionism. Bare in mind most NWOBHM metal bands didn't do " dark, heavy." Most speed/thrash wasn't that heavy either. Indeed Sabbathian heaviness was kept alive by doom metal.
Early last year Djevelmakt hammered its way out of hell and into many folks' eager eardrums, demonstrating a certain fortitude and a staying power that has withstood the test of time not as a grand testament to jaw-dropping originality, but as a killer album with obvious intentions. No matter the number of spins, the sound simply refuses to wear thin. Revisitation is easy and always reaps melodic rewards as Kampfar's latest effort never falls, never fails and never falters. Consistency is key.
The black metal influence is strong and makes this the darkest, most evil-sounding extreme folk album I have heard from 2014. The vocals are grim and harsh, the guitars utilizing the usual tremolo patterns reminiscent of flames forcing their way through from hell. The more atmospheric moments with subtle choirs and the like are particularly nice. I like it, and I like this album, but the lack of much new happening keeps it from rising the ranks in a meaningful way. Still, it is one of the better releases from the genre this past year and definitely worth a listen. I may even come back to this one again, which is more than I can say for a lot of the 2014 contenders. Enjoyability=8, Musicianship=7, Innovation=5.