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Urfaust - Einsiedler review




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Reviewer:
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21 users:
8.14
Band: Urfaust
Album: Einsiedler
Style: Black metal
Release date: July 2009


01. IX: Der Einsiedler
02. Verderber

Urfaust is a curious band. "Ritualistic" or "fun" are words that come to mind when describing their music, and both whacky song titles and the gibberish IX sings are as supportive of these statements as the compositions themselves. The first thing that comes to mind for me however, is sadness.

Enter Einsiedler, a small release that seemingly didn't get a lot of attention. "Einsiedler" means "hermit" in German. Few other languages are as cold and distant as German can be - a perfect fit for the theme.
Being a hermit is a lonely existence.

"IX: Der Einsiedler" is one of the very few songs whose first seconds can instantly turn my mood dark. You know what's coming based on the first few notes. The first half of the song is dominated by this incredibly powerful synth chord progression, supported by monotonous riffs and drums after a few minutes. You can hear the wind howl through the empty wood, no figure in sight. Then the vocals hit. IX's singing has always been the stuff every DSBM band could be envious of, but has never as strong as here, buried under synths and the monotonous riffs. No matter how hard you try, you can't make out what he's singing. He's too far away, the voice is too much like crying and speaking a whole different language entirely. Loneliness does that to a person. Only a few loud shrieks end the mourning and suffering, and then the song starts it's second half and breaks the monotony while maintaining the atmosphere. The riffs end, and the synths basically play a solo. The only thing left is reflection on the just witnessed despair.

"Verderber" (German for "ruiner", "spoiler" or "corrupter") transforms the theme. While still being a dark song, supported by the hollow production, the shrieking vocals and the noise background, the guitars carry it this time. Playing mostly one riff with slight variations, it's a massive relief compared to the utter solitude and despair presented by the first track. There's a bit more punch to the riff and anger in the vocals compared to the first song. Life goes on, but too often sadness gives way to bitterness and mean-spiritedness. When you have nothing but emptiness and sadness by your side, others become less worthy to you. You start resenting others, with whatever reasoning.

And so a fun band managed to craft a short EP that hits me on so many levels, and crushes the entire DSBM subgenre and all that without a single real word. You don't need words to understand sadness, as sadness is the only thing you really understand about the other person. It's universal but also strange and scary.

Written by Desha | 07.05.2018




Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.


Comments

Comments: 5   Visited by: 29 users
07.05.2018 - 19:25
VIG
Account deleted
Nice dude. Your reviews are awesome, and you wrote it so quickly it seems.

I'm not the biggest fan of this band actually. Never have been.
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07.05.2018 - 19:54
Desha
delicious dish
Written by Guest on 07.05.2018 at 19:25

Nice dude. Your reviews are awesome, and you wrote it so quickly it seems.

I'm not the biggest fan of this band actually. Never have been.

Thank you kindly. I've had a draft for a while, I just finished it up when I couldn't be bothered to work on other stuff haha

That's odd, because they manage to dip into many different moods with their music. But yeah, the vocals are the main attraction for the most part, so if one doesn't adore those like I do it's understandable.
----
You are the hammer, I am the nail
building a house in the fire on the hill
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07.05.2018 - 20:42
Auntie Sahar
Drone Empress
I'm pretty well versed in the Urfaust discog as they're easily one of my favorite BM bands but I'm actually not familiar with this release, so thanks for bringing it to my attention!
Sounds pretty tasty indeed, and I'm definitely intrigued by how you describe the track contrasts and the moods and themes they reinforce. These guys are experts at creating the spooky, isolationist vibe, and you should most definitely catch them live if the chance ever comes your way.
----
I am the Magician and the Exorcist. I am the axle of the wheel, and the cube in the circle. “Come unto me” is a foolish word: for it is I that go.

~ II. VII
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07.05.2018 - 21:36
Metren
Dreadrealm
Great review, I was hooked from the first few notes/that progression that You mentioned. Glorious stuff and surely a band that I need to get into now, as I'd never heard of them before, believe it or not.
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My one-man project's Bandcamp with free downloads: https://dreadrealm.bandcamp.com/
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15.12.2020 - 23:40
Rating: 9
X-Ray Rod
Skandino
I didn't know much about this release befor buying it. I just got it on the mail a few days ago and also read your review today and I must say you described it perfectly. The deep, near impossible to describe sorrow of the first track reinforced by the strong sense of bitterness and resentment on the second one. It's all there. Bitterness as a whole might be the best word for this little EP.
I can already see that I'm gonna be addicted to these two tracks as well. Which might be a bit dangerous since I can also imagine how heartbreaking they will be if I listen to them while in a vulnerable state. But hey, that's how art works.

Again, great review!
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Written by BloodTears on 19.08.2011 at 18:29
Like you could kiss my ass
Written by Milena on 20.06.2012 at 10:49
Rod, let me love you.
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