Nightwish - Oceanborn review
Band: | Nightwish |
Album: | Oceanborn |
Style: | Symphonic power metal |
Release date: | December 07, 1998 |
A review by: | Deadsoulman |
01. Stargazers
02. Gethsemane
03. Devil & The Deep Dark Ocean
04. Sacrament Of Wilderness
05. Passion And The Opera
06. Swanheart
07. Moondance
08. The Riddler
09. The Pharaoh Sails To Orion
10. Walking In The Air [Howard Blake cover]
11. Nightquest [bonus]
12. A Return To The Sea [bonus]
13. Sleeping Sun [bonus]
It's always hard to be objective when you talk about one of your favourite bands.I can's pretend I am going to be objective here, because I like this band so much.
The most noticeable thing with Nightwish is that everything lays on Tarja Turunen's fragile shoulders. And as her voice is perfect, everything works, even better than on the first album Angels Fall First. Compared to this one, Oceanborn is heavier, more varied and has, of course, a better sound, and finally Tuomas Holopainen decided to stop singing (his voice scared me when I first heard Angels Fall First): he who writes everything, and has stunning keyboard sounds decided to let Tarja do the job.
This album is in pure Nightwish style, with an alternance of speed and heavy-metal songs ('Stargazers', 'Sacrament of Wilderness', 'The Riddler') with ballads ('Swanheart' and the beautiful 'Walking in the Air') and violent moments ('The Pharaoh Sails to Orion', its ?Beauty and the Beast?-like structure and its beginning riff makes me headbang all the way), but they are still able to remain melodic, thanks to the voice and to the keyboards. The instrumental track ('Moondance') is a pure moment of delight: just lay on your sofa, close your eyes and listen carefully, and you will see elves dancing around a fire in the depths of a distant forest. You too might jump everywhere while hearing it...
Every musician perfectly knows his part, making a jewelcase for Tarja's crystal voice, the opera arrangements are as good as they can be ('Gethsename', 'Passion and the Opera'), and even the guests work for Nightwish's cause ('Devil & the Deep Dark Ocean', 'The Pharaoh Sails to Orion')
My favourite track remains 'Stargazers', because it is the one that made me know (and love) Nightwish: it is still a special moment when I hear this speedy riff and this wonderful voice (it reminds me of the bad times when I didn's know this band).
It has to be said that if you had the luck to find the Limited European Tour Edition, here are 3 bonus tracks:
'Nightguest' is probably the heaviest song they ever recorded, with a speedy riff that gets stuck in your brain after the first listening.
'A Return to the Sea' is a mid tempo track, closer to a ballad than to a power-metal song. 'Sleeping Sun' is, in my opinion, the best Nightwish song of all time. I still don's understand why it has not been released on album. No heavy-metal, no violence here. Just the most beautiful, the sweetest ballad I?ve ever been given to hear... It's more than melodic, Tarja excelled herself, her voice is pure, so pure that it washes you far away in a blue and fluffy world... And this album ends up with a jewel. The only thing I can reproach to this song is that it is too short!
If you don's know Nightwish, try to get this limited edition, just for this song. It's worth doing it. Enjoy your journey in fantasy lands...
Highlights: Stargazers, Sacrament Of Wilderness, Sleeping Sun
Rating:
7.6
7.6
Rating: 7.6 |
Oceanborn - for many people the highlight of Nightwish's discography. This is a very hard album to review for me - I've had it for several years and I'm still not sure what I think about it. On some points Oceanborn is a masterpiece with ten points out of ten - I'll describe how first. The material itself on this album is pure professionalism - song structures are all interesting and the only song I find to be bad is 'Swanheart' which always manages to bore me. Guitars are interesting, the keyboards are almost virtuoso and the performance is overall top notch. There's a lot of instrumental passages through the tracks which provide a lot; they take the music away from the deep, deep swamp of 'verse-bridge-refrain-repeat-solo-refrain-end'. I can't really find any tracks that are better than the others and for me there are no real hits here. That is the main reason why this album isn't perfect. Read more ›› |
Guest review by
ErnilEnNaur
ErnilEnNaur
Rating:
9.1
9.1
Rating: 9.1 |
Oceanborn. What's in a title? A lot. Purity and innocence are words that describe someone who is born in - or from - an ocean. There is a sweet innocence to Nightwish's 2nd album that can not be found in the later albums or on the previous one. "Dark Passion Play," "Nymphomaniac Fantasy," "She is my Sin," "Slaying the Dreamer" - what's in a title? That's not to say Oceanborn doesn't have its darker themes, too, they just aren't overwhelming. When I listen to the album as a whole, it is a solemn, but joyful experience. I get the feeling that Tuomas and the band really enjoyed making this album and made it for themselves. Back then, their music was still in the foreground and business was somewhere on the background, not even in clear focus. They didn't have the troubles and responsibilities they now carry, they were young and free. Read more ›› |
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