Kypck - Преступления Против Человечества review
Band: | Kypck |
Album: | Преступления Против Человечества |
Style: | Doom metal |
Release date: | August 18, 2023 |
A review by: | Netzach |
01. Ты Испортил Всё
02. Крещение В Новосибирске
03. На Последнем Причале
04. Красные Пятна
05. Я Теперь Ненавижу Свет
06. Чёрный Бал
07. Простой Рассказ / Я Сам Собою
08. Замерло Море Мечты
09. Кораблестроителей
10. Поэт
11. Жнец
Сука блять, Путин. Вторжение соседей обычно не одобряется. У Kypck есть четкий посыл, который я одобряю, и в нем содержится больше отсылок к Sentenced, чем когда-либо прежде.
It has been seven long years since Зеро (hey, at least I haven’t been gone for that long), which while it was a well-worth listen, didn’t nearly reach the heights of its legendary debut Черно (Black). In fact, neither did any of their previous albums, even though they were all great outings. Kypck has always straddled the line between doom, gothic, and heavy metal; or as proposed by the band: “fast doom metal”. Never has this description been more apt than on their latest (and, sadly, swansong) album (more on that later).
Actually, more on that right now, because a very important message preceded the release of this album. The band will continue with the same outfit, but change their name and sing in English instead, as touring in Russia has become impossible for them under threat of persecution by the Russian government for speaking out against their recent and ongoing “special military operation”. Kypck claims to have always done their best to stay apolitical, but I guess it was inevitable for a band, the entire concept of which revolves around the history of their big Eastern neighbour (which, by the way, once deprived Sweden of a third of our country and controlled it for a hundred years until it broke free and started calling itself Finland - only for them to be invaded again during World War 2 and retaliating by invading them right back) to comment on recent happenings as they are still ongoing. I've had my share of cursed neighbours (and probably been one at that), but there's no neighbour more cursed than Russia. At least my neighbours never broke into my flat and annexed it.
The cover art beats this point home further, as the images in the physical edition are photos taken by Ukrainian citizens and war correspondents. The instrumental “Ты Испортил Всё” (You Ruined Everything) opens up with solemn choirs and a foreboding doom riff. While previous albums leaned heavily on classical but melodic doom, it is evident already from the following song (and single) “Крещение В Новосибирске” (Epiphany In Novosibirsk) that Преступления Против Человечества (Crimes Against Humanity) is going to be a quite upbeat (albeit crushingly heavy) affair, so Kypck’s description “fast doom metal” has never felt more apt. There is a very rhythmic quality to Sami Kukkohovi’s chugging, while Sami Lopakka creates an uneasy atmosphere with his trademark dark, twangy guitar, and then enters Erkki Seppänen’s tortured Russian storytelling (of which I sadly don’t understand a word) that then breaks out into an instant earworm of a chorus.
In fact, except for some of the slower, actually doomy songs on this long-ass-titled-in-Cyrillic album, such as the following “На Последнем Причале” (On The Last Pier), “Я Теперь Ненавижу Свет” (Now I Hate The Light) and closer “Жнец” (Reaper), most of the album is highly anthemic and catchy in nature, featuring some truly excellent and memorable riffing and choruses. A video, which I have embedded below, was made for “Красные Пятна” (Red Stains) and contains, you guessed it, war footage. The song is reminiscent of “Сталинград” (Stalingrad) from the debut, except with a catchier chorus and Seppänen breaking out into an unexpected falsetto voice similar to his previous work in the power metal outfit Dreamtale, which runs chills down my spine. I already mentioned “Я Теперь Ненавижу Свет” as a doomy song, but it goes from understated doom to sing-along slow’n’roll in the chorus repeating the title over a simple, effective chord progression.
Now, I wasn’t entirely convinced, up until the chorus of “Я Теперь Ненавижу Свет”, which feels like a bridge between the dark and gloomy opener tracks and what follows, because my by-communism-prohibited God in a gulag, the next three songs will be stuck in my head until
“Чёрный Бал” (Dark Party) goes all-in Sentenced mode on us, and features a fantastically catchy “lai lai lai” drunken-singing section descending into anxious, sweeping guitars. Seppänen even breaks out the odd harsh vocal. A dark party indeed. As if that wasn’t good enough, the main riff in “Простой Рассказ / Я Сам Собою” (A Simple Tale / All By Myself) has to be heard to be believed, with its ominous twanging juxtaposed with the chorus’ goosebump-inducing descending chord progression that instantly hammers and chisels its way into your brain in true CCCP fashion.
If there is one downside to this album, it is that aforementioned song is so memorable that you’ll still be humming along to it as the album progresses, and might not pay full attention to what follows. “Замерло Море Мечты” (The Sea Of Dreams Has Frozen) is something of a title track, what with its repetition of the album title, but this one as well as the rest of the latter half of the album is much more atmospheric than the previous songs, and… would have been overshadowed by them, had it not suddenly broken out in yet another fantastically memorable riff that carries it to the end.
In fact, every song on Преступления Против Человечества is pretty glorious in its own right, whether it’s solemnly atmospheric, instrumentally unforgettable, or sing-along-worthily catchy - most often all of these descriptors at once. The three closing tracks are probably the most forgettable of the lot, but I suspect that’s mostly because of all the genius that precedes it. All in all, I can’t recommend Kypck's final album enough, because while it is a quite different affair than the well-heralded debut, it manages to combine the best of all the band’s previous releases in a spectacular fashion, throws some of Sentenced's finest traits into it, and ends Kypck’s career on a very high note - even if the subject of this note forced them to call it quits, but that’s dedication for you.
Rating breakdown
Performance: | 9 |
Songwriting: | 9 |
Originality: | 7 |
Production: | 9 |
Written by Netzach | 28.08.2023
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