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Riders Of Rohan - Riders Of Rohan review

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Band: Riders Of Rohan
Album: Riders Of Rohan
Release date: May 2022

01. Muster The Rohirrim
02. A Night At The Prancing Pony
03. Nan Curunír
04. Whispers Of A Nameless Fear
05. Longbeards
06. A Land Of Our Own
07. Fog On The Barrow Down
08. Black Rider
09. No Mortal Man
10. Strider
11. Bow To No One

The element of fantasy in heavy metal is a recurring one, whether it’s sword and sorcery, science fiction, or horror. Allegory, symbolism, and vivid imagery have all been part of the genre since metal took its first steps in the world of music. Riders Of Rohan are not just taking their first steps with their self-titled debut; they are riding with pride and their roars will be heard.

The mythology of J.R.R. Tolkien was there when the foundations of metal were laid (Led Zeppelin’s “Misty Mountain Hop”, “The Battle Of Evermore”, “Ramble On”), and it was also present when metal was actually born (Black Sabbath’s “The Wizzard”). Tolkien provided inspiration for one of the most iconic power metal albums ever (Blind Guardian’s Nightfall In Middle-Earth), and his influence went far beyond a single metal style, lending themes to many bands, most notably Summoning (more on this matter, over here). So, it comes as no surprise that Riders Of Rohan from Sweden have resorted to the English writer for their lyrics and imagery. What may come as a surprise is how greatly their music fits these fantasy themes.

If we are to believe the logo on the cover, said music is adventure rock or ‘Äventyrsrock’. Riders Of Rohan borrowed the font and the logo of Äventyrsspel, a Swedish RPG publisher from the ‘80s and ‘90s, who released Mutant, Drakar och Demoner, and Kult, among others, and also translated MERP (Middle-Earth Role Playing) in Swedish. The band used the art of Angus McBride for the cover, which had already adorned MERP’s Minas Tirith.

Now, I have no extensive knowledge on what ‘adventure rock’ really is, but Riders Of Rohan share a few similarities with the self-proclaimed originators of the genre, Hällas (also from Sweden). However, and while they do embrace the sound of ‘70s hard rock, proto-metal, doom, and folk, Riders Of Rohan are not as proggy and self-indulgent as Hällas; instead, they are mostly upbeat, to-the-point, and catchy. And the most striking thing is that they are catchy, even without following the verse-chorus-verse-chorus motif; in fact, a few songs lack what one would call a ‘chorus’. The compositions are short -more than half of them clock in at under three minutes- and ‘bloat’ is an unknown word for this album. There is a lot of variety displayed in the songwriting and you can hear influences ranging from KISS to Dead Moon, from Coven to Heavy Load, and from Danzig to Cirith Ungol.

Since Hällas is not exactly the modern day, retro-sounding band I would compare Riders Of Rohan with, the one that mostly comes to mind is Iron Griffin and, particularly their latest album, Storm Of Magic (although Riders Of Rohan is a lot less doomy). One of the reasons for this reference are the female vocals that fit this nostalgic sound like a glove, but Riders Of Rohan have gone the extra mile in the vocal department; they have both male and female singers that work very well together and there are times when they sound like The B-52s playing heavy rock as you can tell from the opener, “Muster The Rohirrim”. The album is short and easy on the ears in its entirety but, if you want to sample some of the variety I mentioned earlier, make sure you drink some ale on “A Night At The Prancing Pony”, hear the dark “Whispers Of A Nameless Fear”, find your way through the punky “Fog On The Barrow Down”, and gallop gloriously next to the epic “Strider”. Whatever you do, don’t forget to check out “Black Rider”, which is the best cover of KISS’s “Black Diamond” I have ever heard, with appropriate, Tolkien-esque lyrics, of course.

I know that there are countless Tolkien-themed songs, albums, and band names that it has become kind of cliché, and the ‘70s revival obsession by modern Swedish bands is getting a bit off-putting too. I won’t lie; Riders Of Rohan’s debut full-length is a homage to all things Tolkien and a tribute to the ‘70s hard rock sound. But these Swedes do both better and more convincingly than anyone else I’ve heard in a long while.

“The road goes ever on and on, like a river running strong
It swept us there and back again, from the slopes of the Orodruin
When I was much too weak to stand, you carried me through the blackened lands
To the end of everything, and there’s still no place I would have rather been”

Written on 22.09.2022 by Only way to feel the noise is when it's good and loud!


Comments: 8   Visited by: 150 users
22.09.2022 - 22:22
Bad English
Tage Westerlund
Now you're small swede after writing this review, like your words, language and quote... Like riding car in lobe N lonesome highway in Jämtland close to mountain line.
Life is to short for LOVE, there is many great things to do online !!!

Stormtroopers of Death - ''Speak English or Die''

I better die, because I never will learn speek english, so I choose dieing
22.09.2022 - 23:24
Written by Bad English on 22.09.2022 at 22:22

Now you're small swede

I was clearly born in the wrong country
23.09.2022 - 08:41
Rating: 7
A Nice Guy
Great review! You've brought this album straight to my attention, it sounds right up my street this
23.09.2022 - 18:43
Written by AndyMetalFreak on 23.09.2022 at 08:41

Great review! You've brought this album straight to my attention, it sounds right up my street this

Thanks, man. This album has practically almost zero exposure on the internet, and I wanted to bring some attention to it because I have been listening to it a lot since it came out. As you say on the album thread, it is short, catchy, and it keeps your attention. I went way over the word limit because I researched the album quite a bit, and I wanted to give a wider description than just "Tolkien-themed hard rock".
24.09.2022 - 13:41
Written by nikarg on 23.09.2022 at 18:43

I went way over the word limit

musclassia is starting to have a bad influence on both you and Radu But as long as the reviews are well written and interesting I don't mind.
Also wanna say that this is the third review in a row that I discover a great album following Psycroptic's Divine Council and Early Moods self titled one. Keep the good stuff comin'
"You have the right to believe in what you want. I have the right to believe it's ridiculous." - Ricky Gervais
24.09.2022 - 15:19
Written by nikarg on 23.09.2022 at 18:43

I went way over the word limit

Inconceivable. Some sanctions are due.
Do you think if the heart keeps on shrinking
One day there will be no heart at all?
25.09.2022 - 17:45
Nocturnal Bro
Great find! I at first wasn't so sure if I liked it. It reminded me of country music. But after listening to songs like "Nan Curunir", "Whispers of a Nameless Fear", "Fog on the Barrow Downs", "Strider", and "Bow to No One" I find it very nice. A fun adaptation of Tolkien, indeed!

The male vocalist reminds me at times of King Diamond's performance on Melissa and at other times of Lucifer's Fall's singer. Also, the one riff on "Whispers of a Nameless Fear" at the 2:09 mark of that song is from Judas Priest's "The Ripper"
25.09.2022 - 22:34
Rating: 7
It's very interesting hearing Tolkien themes in a convincingly retro-sounding hard rock band rather than full-on power or black metal. As you point out, Tolkien's a common source of inspiration all across metal, but I still expect folks like Blind Guardian and Summoning to dominate 99% of the time.

This was a cool find. I don't love it, but it's an enjoyable listen and it exhibits the old-school ethos very convincingly; it feels to me like Venom mixed with Satan, with a dash or two of all the other bands you mentioned. The "Black Diamond" cover/rewrite is also a lot of fun.
"Earth is small and I hate it" - Lum Invader

I'm the Agent of Steel.

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