12:13 - Jaeryd17 Just got back from the Opeth concert in Tucson, AZ. Good good good good good good. Good.
10:16 - Spirit Molecule Cool review Willy, I'm still giving the album a couple more spins online. I think there are some cool parts but overall it didn't do much for me. But heck, the production is awesome. Got this nice big sound with all the layers
08:41 - Lit. >Implies they weren't already the scum of the earth before.
08:14 - huascaman [link] ...Picketing a funeral? --- these baptists have officially transcended human garbage status.
07:38 - Moose Revocation's upcoming fifth studio album will be self-titled I see. I really dislike when bands do that. Oh well, still very much looking forward to it.
07:08 - LeChron James steroid use clouded his judgement? yeah, okay. see ya there.
06:39 - psykometal More news about Tim Lambesis if anyone is interested: [link]
Here we go. Today we have a little extension of the chord arpeggio shapes I covered last time. Now we're going to add the right hand and tap some of the notes. The muting can be a bit tricky at first. Take your time. Work on one string at a time, then slowly try to connect them in one direction. Then, the other. Finally put them in order across the fret-board the same way we did with the the chord shapes in episode 2. As always, add notes, take some away, change the shape around to make something musical for you. At the very least, you can impress your friends.
I never realized how weak my fret hand was until I started doing things like this; I really need to work on ma legato. Good lesson though. And nice Parker.
Love the screw up with "be careful with the right hand so you don't get the harmonic" (like i just did). as well as them being so automatic that going slow seems far more difficult than ripping off hair-rising metal solii.
next time in town, need to bug you to show off yer chops. well beyond my meager abilites,
