Buy for
$3.70
(5 items)

Release date: 20 October 1998
Style: Melodic black metal

Rating:

8.1 | 127 votes

Owners:

195 have it
13 want it


01. Oceans Rise
02. Universal
03. Witching Hour
04. The Black Token
05. Nocturnal Vision
06. Ad Noctum
07. Winter Millenium
08. Fields Of Long Gone Presence

Review
Lyrics (8)


Line-up
Øystein Garnes Brun - guitar
Colt "Kai K. Lie" Kane - bass
Erik "Grim" Brødreskift - drums
Jens F. Ryland - guitar
Simen "ICS Vortex" Hestnæs - vocals, synths, fx

Additional musicians:
Ivar Bjørnson Peersen - synths, fx


Additional info
Recorded, mixed sand mastered at Woodhouse Studios between 17th of August and 5th of September 1998.
Recorded by Matthias Klinkmann.
Produced by Matthias Klinkmann and Borknagar.

Cover concepts by Borknagar.
Layout and desing by Carsten Drescher/Axel Hermann for Media Logistics.

Guest review by
TheAmazingP

Rating:
8.8
In general, "The Archaic Course" and "Olden Domain" are two different drops from the same pond. Both albums are totally "Borknagar", with all the chill of powerful riffs, expressive vocals and the warmth of emotions. However, this time something's changed. Judging from the first track of this album, it can easily be assumed that Borknagar actually broke the bonds of their previous eccentric black metal expressions and moved towards a more progressive direction, if it can be named so.

Read more ››
published 06.02.2009 | Comments (2)

Found in 7 lists
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Comments

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Comments: 3  
Users visited: 56  
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Array - 12.07.2012 at 20:41  
Rating: 10 Anytime I want to leave this universe and visit another one, I always have this portal to dive into.
NocturnalStalker - 21.08.2012 at 17:30  
Rating: 8 Very good album but I like the following one a bit more.
musicalkaratekid - 14.11.2013 at 14:27  
Rating: 8 Excellent album, and perfects the first trio of Borknagar albums, proving to be just as vital as the band's self titled and "The olden domain". Here we have much more atmospheric and epic material than ever before, and for that reason, it works very nicely indeed. The clean vocals seem to have taken on more of a prominent approach, particularly in songs such as 'Universal', 'The witching hour' and 'Nocturnal vision', though the harsher style is still there to make sure the band don't wander too far from their BM roots. My personal highlights are 'Universal' which has a grandiose sweep throughout and the somewhat progressive 'Ad Noctum', which features a suitable use of symphonic material. My only problem here is that sometimes the clean vocals sound a little shaky and weak, but only when compared to the harsher style.

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