“Is the biggest fortissimo ever made on a piano bigger than heavy and massive metal riffs?,” mainman Gautier Serre states. “The match between classical music and metal was very close, but the piano won with that final excavator uppercut. Starting with an ostinato that gives the pulse of the track and shows that the piano can also be a rhythmic instrument, we witness smart blows between both parties, going crescendo until the actual headbutt on the piano, which wasn’t even the strongest or last move from classical music.”
