Iron Maiden - Iron Maiden - guest review
Iron Maiden - Iron Maiden - guest review
Tracklist
Disc I01. Prowler
02. Remember Tomorrow
03. Running Free
04. Phantom Of The Opera
05. Transylvania
06. Strange World
07. Sanctuary [US release]
08. Charlotte The Harlot
09. Iron Maiden
Disc II [1995 reissue bonus]
01. Sanctuary
02. Burning Ambition
03. Drifter [live]
04. I've Got The Fire [Montrose cover]
Guest review by
Arian Totalis February 23, 2010
The sound of this album differs from all others with the exception of Killers in the fact that it holds more of a straight forward rock influence: The guitar harmonies aren't as heavy, the drums are more simplistic, and the bass lines tend to be more driving and prominent in a way that stands out from the usual Harris style. It is easy to tell, however, that his known style is a derivative from this era in Maiden's history- an evolution obviously has taken place since then.
The bass for this album though, is still superb. The intros to "Running Free" and "Phantom of the Opera" are especially superb. "Running free" because of the energetic and independent feeling that it gives you, and "Phantom of the Opera" because of the beautiful harmonized lead line that Maiden is known for providing in the rhythm section. Overall, while the bass is not as good as subsequent releases, it's still more than worth your while.
The guitar on this album holds all the elements required for a NWOBHM classic: heavy rock influenced rhythms, pentatonic solos, use of twin harmonies in all of its proto-power glory; yes the guitar work is very impressive. This can be primarily contributed to Steve Harris and Adrian Smith, however. Dennis Stratton was not with the group long enough to hold a pivotal influence on their sound, even for this album. He may as well have been there as a studio musician. Regardless of that fact though, the guitar work is arguably the most impressive aspect of this album.
The vocal work on this album is classic. I have met and spoken to those who dislike Paul Di'Anno, and to them I say this: you obviously don't know how to appreciate his voice. The voice that Di'Anno era Maiden carried is clearly the best accent to the style that they used, something which was rebellious and simultaneously casual. His vocal work on this album is haunting and beautiful sometimes, such as on the song "Remember Tomorrow." Many times though, it carried a rough, punkish overtone that made the statement, much like their controversial music at the time "I'm Running Free."
This is an amazing debut, and I have no idea what I would do without Maiden. Just think of what the world would be missing if this album had never been made. It is indeed a classic piece of history in the metal world.
Rating breakdown
| Performance: | 9 |
| Songwriting: | 9 |
| Originality: | 10 |
| Production: | 8 |
Written by Arian Totalis | February 23, 2010
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Rating:
7.5
7.5
|
Rating:
7.5 |
This album is from the jurassic period of Iron Maiden, for the band's singer back in the days was not Bruce Dickinson, who was lead-singer for the band Samson at that time. Instead you will hear Paul Di'Anno, who has a fiery, kind of raw voice. With screaming guitars and the great bass-playing, which Steve Harris is famous for, Iron Maiden recorded their self titled debut. Read more ›› |
Rating:
7.6
7.6
|
Rating:
7.6 |
For my first review, I was faced with a dilemma as to which album to look at. The answer lay in my current favourite band, and where better to start than the very beginning, in East London, 1980? This is proto-Maiden v.1.1. There, that's the review right there. What, you want more? Okay. This album is a bit of a mixed bag at times. Taken in context, it's bloody amazing. Steve Harris wrote the majority of the songs here when he was a teenager, and the complexity of the songs for the era and age of composer amazes me. Unfortunately, the lyrics are not as polished as on later releases, and gems on this disc like "Prowler" pale in comparison when compared to "Caught Somewhere in Time" or "The Trooper." Read more ›› |
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