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Septicflesh - Codex Omega



8.5 | 589 votes |
Release date: 1 September 2017
Style: Symphonic death metal

Owners:

346 have it
49 want it


Disc I

01. Dante's Inferno
02. 3rd Testament (Codex Omega)
03. Portrait Of A Headless Man
04. Martyr
05. Enemy Of Truth
06. Dark Art
07. Our Church, Below The Sea
08. Faceless Queen
09. The Gospels Of Fear
10. Trinity

Disc II [Deluxe Edition]

01. Martyr Of Truth
02. Dark Testament
03. Portrait Of A Headless Man [Orchestral Version]

The Best Symphonic Metal Album Of 2017
Top 20 albums of 2017: 2

Additional info
Co-released by Season of Mist & Prosthetic Records

Staff review by
nikarg
Rating:
8.0
If you have a soft spot for symphonic death metal, Septicflesh is beyond doubt the band to satisfy your needs. Since their rebirth, the Greek lords of brutal harmony have taken the genre to a different level that other acts can only dream of and have managed to put themselves in a class of their own. Codex Omega showcases once more the mastery of their style, though without any hidden surprises to spice it up.

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published 01.10.2017 | Comments (8)

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Comments: 62   Visited by: 1546 users
21.02.2022 - 11:37
SamuelYK

Still on heavy rotation!
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11.01.2024 - 02:01
Rexorcist

Written by nikarg on 04.09.2017 at 02:48
If you think they are easy to compose, I suppose you are saying it because you are an accomplished musician yourself. I am not, so I don't find them so easy.


Considering a lot of "accomplished musicians" suck, the reverse is also possible. You don't have to record an album to be able to make a good tune. To immediately compare someone to an accomplished musician in defense of one's opinion is kind of an empty argument. Anyone could use it, even in defense of Blood on the Dance Floor, so it never really proves anything.

On another comment's account, Communion and The Great Mass don't sound a thing like Sumerian Daemons. I literally heard 3 songs from it and I know they're totally different albums. That album's more gothic and even industrial, as well as much more accessible.
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