Shortly after releasing their first EP, Forcing Out The Silence, Junius began a tireless touring regimen to fan the flames of an already blazing press. Among its accolades, Disclosure Magazine declared the debut "one of the most engaging Dark Rock albums to come out since Joy Division last graced a stage." Junius toured for over 9 months and played over 200 shows in their first year alone, embracing a DIY ethic which remains at the core of the band's ideology.

Both the debut EP and its 2006 follow-up, Blood Is Bright (later released as a self-titled full-length), were recorded by Will Benoit (of Constants), and mastered by Nick Zampiello (Isis, Converge, Torche). Hailed as a "darkly lush epic" by Alternative Press and "genius" by The Big Takeover, Junius' work is borne of experiments in isolation and asceticism. It's this austere approach from one of America's hardest working bands that adds a weighty sense of purpose and intrigue to their output.

Junius produced The Martyrdom at the legendary A&M Records studios in Hollywood (now known as Henson Recording) over the course of a year, somewhat guerilla-style, during off-hours when the studio wasn't booked (the band has joked that they were bumped out by everyone from Akon to Bruce Springsteen - literally). The album was recorded by Kevin Mills and Tom Syrowski (Weezer, AFI) and mastered by Dave Collins (Danny Elfman, Black Sabbath).

This year finds the members of Junius as tenacious as ever, continually touring Europe and North America (recently sharing stages with the likes of Pelican, Mare, Tombs, Wolves in the Throne Room, and Irepress, among others), headlining festivals, lending music to a series of short films by director Mary Lambert (Pet Semetary), and, of course, finally seeing the release of their new album.