Posts: 6698

I found it funny to learn that 1) there's a guy in the band who's a blacksmith and he's
not the drummer, and then 2) he's not even the only blacksmith in the band. After that I was just watching his arms the whole time and wondering how hard he can punch.
It's definitely true that I, as a non-Swede, know very little about "middle-period" Sweden: there's the Vikings, there's IKEA, and in between is just... the Hanseatic League? The Swedish Crusades? And then a bunch of grey. Pretty much everything I know about pre-modern Swedish history that isn't directly Viking-related I've learned from
Sabaton. Your discussion about the social systems in modern and pre-modern Sweden was quite interesting.
I'm almost the opposite of you in that I almost never care about the lyrics. I read lyrics if I want to be able to sing along to a song, but other than that, beyond a broad appreciation for the concept if that seems interesting, the vocals are just another instrument to me. There are definitely cases where I can passively pick up on lyrics, if they're intelligible, and a strong or intriguing set of lyrics will enhance my appreciation for the song (
Dio being an obvious example), but I never go out of my way to find that for myself. Thus I always find it interesting when you delve so deeply into the concepts when you write your reviews, and I like hearing you talk about it here; it seems like Jerff was appreciative of that as well.
I imagine it is extremely difficult to play bass with one arm. But you might as well, because you're right in that bass is the least important instrument in metal. I wish that it
weren't, but if there's anything we've learned from
Metallica (let alone black metal), it's that you can record a great metal album with no bass whatsoever. Bands that respect their bassist tend to be more interesting than the ones that don't.
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"Earth is small and I hate it" - Lum Invader
I'm the Agent of Steel.