Dark Angel - Leave Scars

Leave Scars album cover
8 | 165 votes |
Band
Dark Angel
Style
Bay Area thrash metal
Release date
1 May 1989
Owners
190 have it
21 want it
Tracklist
01. The Death Of Innocence
02. Never To Rise Again
03. No One Answers
04. Cauterization
05. Immigrant Song [Led Zeppelin cover]
06. Older Than Time Itself
07. Worms
08. The Promise Of Agony
09. Leave Scars
10. The Death of Innocence [live] [2008 re-release bonus bonus]
11. No One Answers [live] [2008 re-release bonus bonus]
12. Leave Scars [live] [2008 re-release bonus bonus]
13. Never to Rise Again [live] [2008 re-release bonus bonus]
Line-up
Ron Rinehart - Vocals
Mike Gonzalez - Bass & Backing Vocals
Eric Meyer - Rhythm and Lead Guitars & Backing Vocals
Jim Durkin - Rhythm and Lead Guitars, Violin Bow, Assorted Instruments & Backing Vocals
Gene Hoglan - Drums, Rhythm Guitar, Assorted Instruments & Backing Vocals
Additional info
Recorded and mixed at Space Station Studios, Hollywood, CA., from May to July, 1988
Mastered at Bernie Grundman Studios
Produced by Michael Monarch & Dark Angel
Engineered by Michael Monarch, Earl West & Paul Gordon
Executive Production by Paul Shenker
Dark Angel logo art by Edward Repka
Cover photo by Chip Simons
Dark Angel photo by Ed Colver
Art Direction by David Bett
Design by Patricia Lie

All music by Hoglan & Durkin
All lyrics by Hoglan, except 'Never to Rise Again' by Durkin & Rinehart
'Immigrant Song' by Jimmy Page & Robert Plant
All songs published by High-Speed Death Music Einstein Music ASCAP
except 'Immigrant Song', published by Superhype Publishing Co. ASCAP
Guest review by
K✞ulu
Rating:
7.7
Rating:
7.7
Can I call this album Darkness Descends: Chapter II? On the one hand yes, on the other not. Leave Scars does come as aggressively as its predecessor, but it is definitely a more mature album. Speaking about it as Dark Angel's third record, I would say it's a step forward, but speaking about it as a Thrash Metal album in late eighties, I would say it still lacks a lot: production and the originality of the music generally speaking for instance, although those two did become better.

Read more ››
published 04.09.2008 | Comments ( 3 )
Found in 10 lists
Top lists



Comments

Comments: 5 Visited by 299 users
Illog1cal
Account deleted
Permalink
22.03.2013 - 04:12
Illog1cal
Account deleted
After listening to this again I realise that it is actually better than I initially thought it was.
Loading...
qlacs
"The Quaker"

Posts: 1570


Permalink
05.11.2016 - 13:07
Rating: 9
qlacs
"The Quaker"

Posts: 1570


Fuckin love this record. To me this is their best
----
Loading...

Posts: 1374


Permalink
+1
06.11.2023 - 07:31
Rating: 8

Posts: 1374


I think this album is brilliant, the songs are really good and I don't even mind Ron's vocals. The bad production really hurt this one.
----
You've got a lot of guts. Let's see what they look like!
Loading...

Posts: 76


Permalink
04.06.2025 - 10:22
Rating: 7

Posts: 76


That is one bad Led Zeppelin cover 😅 Other than that, a decent release but not close to Darkness descends IMO.
Loading...

Posts: 23


Permalink
16.09.2025 - 10:52

Posts: 23


The first 2 minutes of The Promise of Agony and the instrumental Cauterization are the only good things about this abortion. Atrocious production, bad mix, hilariously bad vocals and sloppily played. Baffling how this band devolved to the level of 1984-1987 German thrash bands in terms of instrumental performance.

This album might get better if it gets a remix/remaster (not re-recording). Some tunes have potential, like for example Death of Innocence or the beginning of No One Answered, but when you play the riffs through a toiletifier, it all amounts to nothing. With this kind of production and mixing, even remarkable thrash albums would've sounded sloppy. Imagine Reign in Blood or Master of Puppets with this kind of mix. They would've sounded bloody awful. The less we speak about the vocals, the better. Ron Rinehart is the black death among thrash vocalists. Sort of like Warrel Dane, but worse.

On No One Answered they actually do a dueling-solos type of Exodus thing at the end: what a damn mess. It's not so much dueling guitars as it's drunk pigeons tripping over each other.

Whoever prefers this over Darkness Descends must've went through some lobotomy process. Darkness Descends may not be a technically impressive album, but at least it has good songwriting, it is energetic and powerful, it has a good production and the vocals are not a hindrance. Leave Scars is the polar opposite. Sloppy, shoddy, amateurish.
Loading...

Hits total: 8781 | This month: 6