Band:	Diabulus In Musica
Album:	Argia
Style:	Symphonic metal
Release date:	April 15, 2014
Guest review by:	ChainOfSorrow

01. Et Resurrexit (Libera Me)
02. From The Embers
03. Inner Force
04. Furia De Libertad
05. Maitagarri
06. Sed Diabolus
07. Spoilt Vampire
08. Eternal Breeze
09. Mechanical Ethos
10. Encounter At Chronos' Maze
11. Indigo
12. Healing
13. Horizons

As a huge lover of symphonic metal, I've been curious about Diabulus In Musica ever since they emerged, but the truth is they never really captured much of my attention and Argia proves there's a reason for that.

The biggest effort in this third offering of the band is listening to its entirety, or at least listening to it in search of true aesthetic fruition. There sure are a handful of songs in this album I'd enjoy listening to in my iTunes on shuffle; but listening to the whole ensemble just comprises an utterly boring experience. And I'm not being harsh just for its own sake. There are two major factors that make me rate this album quite low:

1: The instrumentation throughout the album gets frequently subjected to serve as a rhythmic excuse for the vocal lines, which, more often than naught, do not deserve such sacrifice. The vocal lines are most of the time insipid and predictable even if melodically enjoyable. As for the occasional grunts, I'd rather not have them there, for this grunter is, simply put, really awful in my opinion. Thus, the instrumentation gets really unmemorable and even, I daresay, non-significant in the majority of the album.

But not all is lost; there are actually a couple of songs that manage to establish a good balance between vocals and instruments, namely "Spoilt Vampire" and "Mechanical Ethos" since both gather some strong instrumental moments and catchy riffs, and "Encounter At Chronos' Maze" which showcases a perfect symbiosis between epic instrumentation and beautifully performed vocal lines (and of course the very welcome freshness that Thomas Vikström's guest vocals bring in).

2: The lyrics and overall attitude of the album is quite bland and uninspired, full of cliche lyrics, common place topics and lack of general artistic and lyrical craftsmanship.

But even if this album is a prototype of a straightforward, subtlety lacking and general symphonic metal release, it still has its virtues, namely some variety quality to it. This isn't one of those albums where one gets the feeling of listening to several different versions of the same song. Each song in Argia is quite distinguishable from each other, and tunes like "Maitagarri" with its interesting sound twist in the bridge and "Heal" with Zuberoa's pleasant vocal show-off in the bridge also (bridges seem to be quite interesting amidst an abundance of pre-cooked songwriting formulas here) surely make for some great moments.

To conclude, this is surely an album to please every big fan of Diabulus In Musica and typical symphonic metal records in general, but I'm afraid it might disappoint those listeners looking for a fully aesthetically fulfilling release.

Highlights: "Maitagarri", "Spoilt Vampire" and "Encounter At Chronos' Maze".

PS: The performance would be 9 if it weren't for the grunter.