The Ruins Of Beverast - Exuvia review
Band: | The Ruins Of Beverast |
Album: | Exuvia |
Release date: | May 2017 |
01. Exuvia
02. Surtur Barbaar Maritime
03. Maere (On A Stillbirth's Tomb)
04. The Pythia's Pale Wolves
05. Towards Malakia
06. Takitum Tootem! (Trance)
I am not going to hide my bias. Alexander Von Meilenwald is a crafter of some of the finest blackened doom metal on the planet, and I am most definitely a fanboy for The Ruins Of Beverast. Having been somewhat disappointed, however, with the project's previous Blood Vaults effort, I went into 2017's Exuvia with some pretty high hopes of the music redeeming itself. And by the grace of Nyarlathotep, those hopes have been met.
Stylistically speaking, Exuvia can be seen as being a lot closer to Foulest Semen Of A Sheltered Elite than to Blood Vaults. As with that album, the songwriting is a lot more doomy than it is black metal-ish, but the black metal is nonetheless still interwoven into the doom in a tight, intricate fashion that feels both perfectly natural and highly impactful upon the listener, much more so than it was on Blood Vaults. You might, for example, have the music crawling along at a doomy pace, but with that razor sharp, black metal style riffing being employed. Or you might have a crushing, doomy passage that then explodes into frantic blasts and snarls from Von Meilenwald, only to slither back into the murky doom waters later. The line between the two is much less clearly defined, as it should be to get the best results out of this ingenious genre fusion. As with Blood Vaults, Exuvia also seems to get very repetitious at points, but somehow this time around this repetition has more of a meditative, trancelike effect upon the listener, no doubt owed to this tighter union with the black metal elements.
That said, Exuvia is far from being an exact replica of Foulest. What really sets this album apart from all previous ROB releases is the sense of atmosphere. This isn't quite "The Ruins Of Beverast on DMT" that we're dealing with, but Von Meilenwald is playing around with a very entrancing, dark, ethereal sense of melody here more than ever before, that could definitely be labeled as psychedelic at some points. Additionally, here the clean vocals really seem to have come into their full development. Previously with The Ruins Of Beverast, Von Meilenwald's clean vocals were used in a very chant-like delivery, more for atmospheric effect than anything else, but on Exuvia they approach more of an actual singing approach, and at times they even seem to overshadow his snarls. The opening title track seems to be the best sum of the new sound Von Meilenwald is going for here: repetitious, dreamlike, and epic, but nonetheless still heavy and thunderous.
Overall Exuvia is a major return to form for The Ruins Of Beverast, without question better than the slight "bump in the road" that was Blood Vaults. It is still not quite up to par with the first three albums, but, being realistic here folks, the first three ROB albums are pretty big landmarks within the realm of blackened doom. Expecting Von Meilenwald to create work at or above their level again is somewhat like expecting Deathspell Omega to do the same in regards to albums like Fas and Si Monumentum. So instead of attempting to top his masterworks, Von Meilenwald simply went for the best possible alternative with Exuvia: doing something different and reinventing his sound. And goddamn, did he hit that nail right on its head.
Cast off the outer skin. Reveal a new identity.
![]() | Written on 09.05.2017 by Comforting the disturbed and disturbing the comfortable since 2013. |
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