Delain - April Rain - guest review
Delain - April Rain - guest review
Tracklist
01. April Rain02. Stay Forever
03. Invidia
04. Control The Storm
05. On The Other Side
06. Virtue And Vice
07. Go Away
08. Start Swimming
09. Lost
10. I'll Reach You
11. Nothing Left
12. Come Closer [limited edition bonus]
13. No Compliance [Charlotte version] [Japanese bonus]
Guest review by
Elodie Artour September 21, 2010
Delain is surely not your typical Symphonic metal band. Their music lacks operatic vocals and usually follows the hit formula of compositions - introduction, 2 verses, melodic chorus, overall short duration of each song, etc. This, however, could be considered an advantage because it makes the band's music sound different compared to other Symphonic metal acts. On the other hand, I could not help but call Delain a "mainstream-ish" band. The arguably clever marketing strategies of their label surely placed them on top of female-fronted metal. A demonstrative example of that is the production of the album which is nearly perfect.
In comparison with the previous release, April Rain is a bit weaker but more experimental as well. This could be recognized on tracks such as "Go Away" that has a good dramatic orchestration and "On The Other Side" which contains pretty interesting cello parts. A guest appearance is not missing again - Marco Hietala has yet added some power and energy to two of the songs off the record, "Control The Storm" and "Nothing Left." This time, though, the band has decided to focus more on their actual talent and skills. Evidently, Charlotte Wessels' voice has improved significantly and that has helped to create a rather distinct sound. On April Rain, one could easily discover the difference between her vocal parts on both albums. Apart from Hietala's appearance, other male vocals are also to be heard on the record - both normal ones and growls done by former Delain member Ronald Landa. Honestly, it does not seem as if growls are necessarily needed in the band's music, but the guy has definitely done a nice job on the song.
Quite a big flaw of the album is the totally uninspiring and cliché lyrics. In contrast with the music itself that has, seemingly, been made with huge effort, there is nothing indeed emotional and original about them. Composers have put all their creativity and skills into use, whereas lyric writers simply have not managed to succeed in creating decent lines.
In conclusion, we could call April Rain an easy-listening album. Musically, it is a bit experimental, but still - nothing special to be seriously impressed by. Moreover, the record shows a significant absence of originality. "Control The Storm," "Virtue And Vice," and "Nothing Left" are among the best songs off the record. I am not sure if I would name April Rain one of the outstanding Symphonic metal albums of 2009, but it surely is entertaining. Delain's music could be humorously described as "well-made mainstream female-fronted metal." We shall see if they will surprise us with their forthcoming record...
Rating breakdown
| Performance: | 8 |
| Songwriting: | 8 |
| Originality: | 6 |
| Production: | 9 |
Written by Elodie Artour | September 21, 2010
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Comments
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| Lovecraft
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Even if the score kinda conflicts with your thoughts in the final paragraph.


When I started reading those quotes, it felt as if you were gonna criticize me about the whole review. Nice to know we share similar points of view on this one.
Sums up everything I'd have said as well, and it's exactly those totally bland lyrics that keep me from replaying the album once listening to it. I still however, enjoy this album more than their debut, mainly because the production is huge here, and this is more of a band, and less of the (obvious) project feel.
