Bosse-De-Nage - Further Still - review

Bosse-De-Nage - Further Still - review

Cover image of the reviewed item
Release date
September 14, 2018
Reviewer
8.6
7.1
Tracklist
01. The Trench
02. Down Here
03. Crux
04. Listless
05. Dolorous Interlude
06. My Shroud
07. Sword Swallower
08. Vestiges
09. A Faraway Place
A review by
RaduP
October 08, 2018
Post-black metal got a bad rep for being too dreamy or indie and generally not metal enough. Bosse-De-Nage have been around for a while, and while their music is definitely metal, you can't quite put a certain label on it. It's both accurate and disingenuous to lump them with either Deafheaven or Burst.

Believe it or not, Bosse-De-Nage have been going on for more than 10 years, but it's only been a few since they started actually titling their records and lifting the veil of mystery and anonymity they had around them. Their brand of post-black metal is a bit different from their peers, but they have forever been lumped together with the likes of Deafheaven and Ghost Bath - at least, ever since they did a split with the former. At least since All Fours, they've been getting more of a following, and hopefully this will keep up with their debut for The Flenser, Further Still.

What sets Bosse-De-Nage apart from their peers is that their peers would often bring emotional impact through the contrast between the ecstatic brightness of dream-pop/shoegaze/post-rock and the oppressive darkness of black metal and screamo. Bosse-De-Nage certainly do have a small quantity of that contrast, but most of the impact comes from the energy that is dispelled. While there is a certain dreamy brightness hidden within it, the dreamy aspect doesn't feel as ecstatic, but rather manic and devastating. Less anchored in shoegaze but rather in post-hardcore, the music and especially the vocals give off a coarse feeling.

The lack of the mentioned contrast doesn't mean that the album is constantly in one sound; there are quieter and slower moments (think "My Shroud") and transitions galore, but the album really shines at its most visceral. And sure, the emotional vocals serve a lot to the impact, but a lot of it is also owed to the vitriolic performance of H, the drummer, also of Succumb and Slough Feg. Combining black metal-esque blasts with a certain hardcore punk- (or cocaine-) fueled energy. The performance, both furious and graceful but rarely calm and blissful, couples with the hazy production to result in a truly cathartic sound. In simpler words: it's good.

Coming back to the supposed bad rep, post-black metal has more or less come and gone; it's a genre past its heyday and people have become more sympathetic to it, and while naysayers will hate it regardless, there's something here for fans of black metal, post-hardcore, and post-metal who feel that the blends of these genres has often been too blissful.
Rating breakdown
Performance: 10
Songwriting: 8
Originality: 8
Production: 8
Written on 08.10.2018 by
Written on 08.10.2018 by
Doesn't matter that much to me if you agree with me, as long as you checked the album out.

Hits total: 3851 | This month: 2