Emperor - Anthems To The Welkin At Dusk - guest review
Emperor - Anthems To The Welkin At Dusk - guest review
Tracklist
01. Alsvartr (The Oath)02. Ye Entrancemperium
03. Thus Spake The Nightspirit
04. Ensorcelled By Khaos
05. The Loss And Curse Of Reverence
06. The Acclamation Of Bonds
07. With Strength I Burn
08. The Wanderer
09. In Longing Spirit [reissue bonus]
10. Opus A Satana [reissue bonus]
11. The Loss And Curse Of Reverence [live] [reissue bonus]
Guest review by
Maasai Mara March 26, 2019
The initial minute of "Alsvartr (The Oath)" is the only thing worth wasting your time listening to. A deceptively sweet atmospheric introductory part that deceives you into eating the shit and fraud that is to follow. Everyone who rants and raves about how good this album is, is a lying piece of shit who has never listened to this garbage beyond the first minute of the introductory song. If you love yourself and are a normal lad, quit listening to this album after the first minute of "Alsvartr (The Oath)" and end all relations with people who claim that this album is worth a rating of anything more than 1/10.
This album is the very definition of over-hyped and an album that people only like because it is cool to do so. As a metal newbie years ago, I can't believe I used to pretend to love this album just to appear kvlt and necro. This is the very definition of what non-metalheads mean when they say that heavy metal is nothing but noise. The sound mixing in this album is very poor and not in the cool atmospheric way that Transilvanian Hunger is. Every instrument on this album is played at maximum volume and each and every one of them is competing for your attention. If you have sixteen ears then you can find this piece of album tolerable, but for normal folks with two ears, the blazing synths, up-tempo guitars and relentless drumming all screaming for your attention are simply unbearable and headache-inducing. Minute 04:30 of "The Loss And Curse Of Reverence" demonstrates an example of the headache-inducing wall of noise that this album is full of and I don't hate myself enough to dig up for more examples.
Symphonic metal as a genre is something I have never been able to come to terms with as a member of the heavy metal umbrella. The most annoying bands play this type of genre (Dimmu Borgir, Carach Angren) and to think that a band that is hailed as a black metal legend could desecrate the very soul of black metal and wank around with synths, keyboards and choir effects is preposterous.
The cacophony of noise does tend to reduce on some songs like towards the end of "Thus Spake The Nightspirit" only to reveal basic black metal shrieks and pretty predictable goth-like clean passages. This album is devoid of interesting riffs, barely creates an interesting atmosphere and only excels in the overuse of synths and in giving you migraines.
If you have never listened to this album, I truly envy the peace of mind that you possess.
Rating breakdown
| Performance: | 3 |
| Songwriting: | 2 |
| Originality: | 4 |
| Production: | 2 |
Written by Maasai Mara | March 26, 2019
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Rating:
9.6
9.6
|
Rating:
9.6 |
I started listening to Emperor with the last work of the band: Prometheus. Yes, that album was good, but there were too much "addings" that shouldn't be found in a Black Metal album in general. I appreciate the progressive elements though in some parts of the disc. Hearing this I was a little sceptic about the other Emperor works, but at the same time curious. Read more ›› |
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