On Thorns I Lay - Threnos review
Band: | On Thorns I Lay |
Album: | Threnos |
Style: | Doom metal, Death doom metal, Gothic metal |
Release date: | February 21, 2020 |
A review by: | nikarg |
01. The Song Of Sirens
02. Ouranio Deos
03. Cosmic Silence
04. Erynies
05. Misos
06. Threnos
07. Odysseia
After the return to form that was Aegean Sorrow, On Thorns I Lay insist on fusing the seemingly clashing concepts of catchy melodies and mournful soundscapes by unleashing Threnos upon us.
On Thorns I Lay started as a gothic death doom band in the '90s and they mention The Gathering, Celestial Season , and Anathema as their main influences. During the early '00s they incorporated an alternative rock sound but unfortunately disappeared in 2004 while recording the follow up to Egocentric. In 2014 they came back together and subsequently released Eternal Silence, which featured a lot of the material that had been abandoned about a decade before. The real comeback album for On Thorns I Lay was Aegean Sorrow in 2018, a return to their death doom roots with a sound closer to the - now classic - Orama.
Threnos (Lament) expands the sound and atmosphere of its predecessor, being a wonderful mix of My Dying Bride, Insomnium and Opeth. The album is inspired by Greek mythology, as is evident from the song titles and the album artwork (depicting Orestes Pursued by the Furies), which always adds some extra tragic component. The music is melodic death doom with a gothic and bleak atmosphere and the band manages to bring forward the bittersweet darkness in a heavier and more depressing fashion. Death metal vocals growl their way into wrist-slitting guitar melodies, while heartfelt violin passages cut through the mournful air and fragile piano parts embrace woe in all its forms.
The album starts in a very melodic yet doleful fashion on the first couple of tracks, and introduces some more aggressive riffing for the first time on "Cosmic Silence", which also features some unforgettable violin playing. The next one, "Erinyes" (The Furies), is my favourite track because it blends the sorrowful arpeggios, the groovy chugs, and the Hammond organ in an absolutely expert way. "Misos" (Hatred) is aptly named because it is the most hard-hitting cut on Threnos and sounds very Opeth-ian, an influence that can also be heard on the title track and especially its outro. The closer "Odysseia" (Odyssey, duh) is the longest and possibly the most melancholic song on the album, thanks to the valse between violin and piano, the wailing lead guitar, and the dramatic drum beating beneath the agonizing female vocals.
So there you have it; On Thorns I Lay have created a totally captivating album, without doing anything particularly novel. Threnos is just ridiculously well made and performed, wrapped in beauty and despair, and if you are a fan of any of the bands I've already mentioned in this review it will keep you very good company.
"My soul begs for freedom
My heart wants peace
A last breath in sadness
A last fear in sorrow..."
| Written on 27.03.2020 by Only way to feel the noise is when it's good and loud! |
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