Negative Plane - Stained Glass Revelations review
Band: | Negative Plane |
Album: | Stained Glass Revelations |
Style: | Black metal |
Release date: | January 17, 2011 |
A review by: | KwonVerge |
01. The Fall
02. Lamentations And Ashes
03. Angels Of Veiled Bone
04. The Third Hour
05. The One And The Many
06. Charnel Spirit
07. All Souls
08. The Number Of The Word
09. Stained Glass Reflections
10. Stained Glass Revelations
Bestial Devotion and Nameless Void, the demented duo from the US, managed to strike once again under the moniker Negative Plane 5 years after their highly acclaimed debut (Et In Saecula Saeculorum) in the underground black metal circles. It was during the dawn of 2011 they unleashed their Stained Glass Revelations to the world, proving that the longing for a strong successor was all worth it.
Hallelujah! "The world that is yet to come," amen to that, at least that's what the banner says at the top of the picture in the middle of the cover artwork being carried by angels and hawks. For some weird reason it's being connected with a hearse at the bottom of the picture and in the middle lies a dim portrait of Virgin Mary holding the newborn Christ with many candles set alight. The overall scenery is reminiscent to a funeral and most probably denounces God's creation and signals... the world that is yet to come, a godless ivory tower. The black font is kind of tricky and serves its purpose well, after a few seconds your stare will get caught by the inner bluish aesthetic that lends emphasis and depth to the picture.
Echoing percussion, sinister bells chiming, lurking drumming, floating distortion, horrifying anti-melodies and a doom-driven scenery open up the gateways with grandeur; "The Fall" has begun. A magnetic field of negative charge fuels the compositions with a wide variety of tempos, ways of expression and ideas. There's nothing positive in here, even the more melodic chords or soloing ideas hold some kind of mysticism and always end in dreadful outbursts. Apart from the massive riffing and the thrash-oriented or more heavily traditional leads, the bass lines overrun the compositions forging a permanent, ravenous overtone of misty web surrounding the compositions. The rasping and more natural vocals possess an aura that haunts back from the first half of the 90s, weaving goodbye to the hoarse manner of interpreting (00s). Either relentless or more restrained yet creative, the drumming never fails to lend power to the compositions whereas the percussion has its very own special appearance as a guest star at times in terms of creativity. Some piano parts, the organ, the bells, the clean vocal inputs etc add to the overall ambiance and make the compositions more affected, without exaggerating; always to the point, only whenever required.
Stained Glass Revelations will accompany you for about an hour and its basic compositions are quite lengthy, somewhere between 7 - 11 minutes. As for the rest, intro and interludes, they are highly inspired atmosphere-based pieces that ease the tension and make the musical environment more captivating; until the next meeting on the battlefield. Through the overall madness, one may notice at times some more oriental scales in the already highly qualified guitars, which I found quite interesting and enriching. As for the production, it's quite clean, helping every single instrument stand on its own, and at the same time seconds the depth and echo essence of the songs.
We're talking about an album of exquisite ambiance, decomposing beauty and coherent insanity. Stained Glass Revelations is truly a revelation, a blooming abomination. If you're not aware of Negative Plane's existence, you deserve to know them(?).
Rating breakdown
Performance: | 9 |
Songwriting: | 9 |
Originality: | 8 |
Production: | 9 |
| Written on 29.08.2011 by "It is myself I have never met, whose face is pasted on the underside of my mind." |
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