Atheist - Unquestionable Presence - guest review
Atheist - Unquestionable Presence - guest review
Tracklist
01. Mother Man02. Unquestionable Presence
03. Retribution
04. Enthralled In Essence
05. An Incarnation's Dream
06. The Formative Years
07. Brains
08. And The Psychic Saw
09. Enthralled In Essence [2005 re-release bonus] [1989/1990 pre-production demo] [feat. Roger Patterson]
10. The Formative Years [2005 re-release bonus] [1989/1990 pre-production demo] [feat. Roger Patterson]
11. Unquestionable Presence [2005 re-release bonus] [1989/1990 pre-production demo] [feat. Roger Patterson]
12. An Incarnation's Dream [2005 re-release bonus] [1989/1990 pre-production demo] [feat. Roger Patterson]
13. Retribution [instrumental version] [2005 re-release bonus] [1989/1990 pre-production demo] [feat. Roger Patterson]
14. Brains [instrumental version] [2005 re-release bonus] [1989/1990 pre-production demo] [feat. Roger Patterson]
15. Enthralled In Essence [2005 re-release bonus]
16. Mother Man [2005 re-release bonus] [1990 demo [feat. Roger Patterson]] [drum & bass Tracks]
17. And The Psychic Saw [2005 re-release bonus] [1990 demo] [feat. Roger Patterson]] [rhythm Tracks]
Guest review by
Horlequism June 13, 2006
Atheist return with a more technical album. Both Rand and Frank explore new scales with new meters and further broaden their metal/jazz switchovers. The band gets a little funky in places. This is because of the whole slapping bass that Choy brings to the table from time to time, especially on a track like "Brains" - a very progressive song. Tony Choy slaps away while Kelly grunts instead of growling. This adds attitude to his vocal deliverance over the colorful musical interchanges surrounding him. The back and forth genre swapping is realized further with opening track "Mother Man." The song skips around a bit, providing more then just a metallic listen. Kelly uses some odd vocal effects on the title track, "Unquestionable Presence." The echo-like quality of having two voices comes back on the last album.
Atheist is very heavy on this album and the dense riff-fest is apparent throughout the whole album. Every song on the album takes off into strange new directions not found much on Piece of Time. You will be asking yourself out loud "where did that come from?" The unexpectedness of each composition makes the listener want to play each song over and over again just because they sound so intriguing. Atheist finally shows what they're capable of here.
Rating breakdown
| Performance: | 10 |
| Songwriting: | 9 |
| Originality: | 10 |
| Production: | 7 |
Written by Horlequism | June 13, 2006
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Comments
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And once again Frank Emmi doesn't play on this one, still Kelly Shaefer doing the guitar parts and vocals here.
---- Member of the true crusade against European Flower Metal Yesterday is dead and gone, tomorrow is out of sight Dawn Crosby (r.i.p.) 05.04.1963 - 15.12.1996 
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| Kap'N Korrupt
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Posts: 159 Quote: Totally agree with this question (from review).
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One of the most seasoned albums Ive ever heard...a must for every music fan. Im currently learning Tony Choys style, hes pretty fast and alot chord related riffs in his style which I love....
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Man, you're review is all messed up  Tony Choy didn't write the bass parts nor bring anything to the table. All the bass had already been written by Roger Patterson before he died. That's why the bass playing is so similar between this album and Piece of Time, but so different than Elements (because Choy writes it). Kelly Shaefer writes most if not all of the guitar parts. He doesn't "grunt" anywhere either? Other than those minor things, awesome review
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| Posts: 40071 |
Posts: 40071 Written by Bitter Peace on 12.08.2008 at 18:05 The reviewer doesn't say anywhere in this review that Tony Choy wrote any of the bass parts he just mentions that Choy's playing style is different to Patterson's and thereby that Choy adds a different layer to the music.
---- Member of the true crusade against European Flower Metal Yesterday is dead and gone, tomorrow is out of sight Dawn Crosby (r.i.p.) 05.04.1963 - 15.12.1996
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Posts: 11969
Yes, it is a very good album, brilliant some would say. I say it: I think it's one of the best things I've heard. This is so diverse and appealing. It's really never boring to me. All the songs move up and down in their riffs and it keeps you interested. 
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Well fine then, he implies it when he said "The band gets a little funky in places. This is because of the whole slapping bass that Choy brings to the table from time to time". That's not from Choy doing anything other than playing Patterson's parts. Patteron plays the songs the same exact way on their demos before this album came out and he died. Don't get me wrong, Tony Choy is one of my favorite bass players, but Patterson is excellent also and deserves credit where it's due Ana you rock This album single-handedly changed my perspective of music forever, as well as my drumming style.
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Posts: 40071 Written by Bitter Peace on 13.08.2008 at 23:04 I absolutely agree that Patterson deserves credit where credit's due. But listening to the retail versions of the songs and the demo versions there is IMO clearly a different sound to the bass playing. btw, I am also a great Choy fan. As you can read here http://www.metalstorm.ee/pub/interview.php?interview_id=424 Roger was mentioned last year by Kelly a couple of times when I interviewed Kelly & Tony at Hellfest.
---- Member of the true crusade against European Flower Metal Yesterday is dead and gone, tomorrow is out of sight Dawn Crosby (r.i.p.) 05.04.1963 - 15.12.1996
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| Kap'N Korrupt
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Like I said, awesome review, but it just had some inaccuracies. I'm glad that you took the time to review it. I personally don't have the time nor patience to do reviews, and I appreciate it when others find the time to write them.
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| Kap'N Korrupt
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That Album made me appreciate what is now called Technical Death Metal. Without Atheist I doubt I would've been into this genre at all. Their style, sound and originality is brilliant and Tony Choy is an incredible Bass Player. When I bought Unquestionable Presence I had never heard of the band it was a random pick on the shelves and I was still new to death metal... Never regreted that choice its one of my favorite albums and one that certainly influenced me the most.
---- - Headbanging with mostly clogged arteries to that stuff - Guib's List Of Essential Albums - Also Thrash Paradise Thrash Here
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| JD
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| Kap'N Korrupt
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This alum is freaking crazy with the changes and different riffs! Dig it!
---- "While I live let me live deep."-Robert Howard
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