Skid Row - Begin Writing Next Album
In a new interview with Tulsa Music Stream, Skid Row guitarist Dave "Snake" Sabo revealed that the band has begun writing new material for the follow-up to last year's The Gang's All Here, which was their first with Erik Grönwall on vocals.
Sabo said: We've toured quite a bit, so that takes up… We're not really adept at writing on the road; we're pretty crappy at it, actually. One thing that we do do is we come up with soundcheck riffs and we utilize those riffs. And when we have, when we go, 'Okay. Let's start writing for the next record,' we'll stop touring for a while and really get down to it and start getting in a room and shutting the door and shutting the phones off and cranking them out. We're still old school, man. It's, like, we record these riffs on the dictaphone. And then I can remember we had built this studio at my house in New Jersey years ago, this big-ass studio. And Rachel and I would be in the live room and we'd come up with an idea. And instead of hitting the tape machine or something like that, we both just lie instinctively pulled out our dictaphones. And we looked at each other, like, 'What? We just spent this crazy amount of money building this studio, and we're still [using a] dictaphone.' The iPhone is our dictaphone now. So it's actually really cool to sit there and be able to get in a room after you're done touring and stuff like that, and go back and listen to these riffs. And you look at the date and you're, like, 'Oh my God. All right. That was soundcheck in Seattle,' or 'That was soundcheck in Boise.' There's something that attaches itself to that, and that helps to spur the creative process. It kind of reminds me, or it reminds you, as a writer, of where you were at that particular moment when this came to you, and then potentially what it could be. It's an exciting process."
Sabo said: We've toured quite a bit, so that takes up… We're not really adept at writing on the road; we're pretty crappy at it, actually. One thing that we do do is we come up with soundcheck riffs and we utilize those riffs. And when we have, when we go, 'Okay. Let's start writing for the next record,' we'll stop touring for a while and really get down to it and start getting in a room and shutting the door and shutting the phones off and cranking them out. We're still old school, man. It's, like, we record these riffs on the dictaphone. And then I can remember we had built this studio at my house in New Jersey years ago, this big-ass studio. And Rachel and I would be in the live room and we'd come up with an idea. And instead of hitting the tape machine or something like that, we both just lie instinctively pulled out our dictaphones. And we looked at each other, like, 'What? We just spent this crazy amount of money building this studio, and we're still [using a] dictaphone.' The iPhone is our dictaphone now. So it's actually really cool to sit there and be able to get in a room after you're done touring and stuff like that, and go back and listen to these riffs. And you look at the date and you're, like, 'Oh my God. All right. That was soundcheck in Seattle,' or 'That was soundcheck in Boise.' There's something that attaches itself to that, and that helps to spur the creative process. It kind of reminds me, or it reminds you, as a writer, of where you were at that particular moment when this came to you, and then potentially what it could be. It's an exciting process."
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