The Stupidity Of Objective Reviews
Written by: | BitterCOld |
Published: | May 10, 2011 |
I've been batting around this column idea for a while, so fuck it, here it is.
The word "objective" gets bandied about a lot, usually it comes up when someone writes a review for an album and scores it lower than some insulted fan thinks it should be scored. Clearly the reviewer who might have only scored it "good" lacked the magic word? OBJECTIVITY.
What? You call new Iron Opeth a 9.3? It's clearly a 9.875!! OUTRAGE! UNOBJECTIVE!
(Side note: this also some times occurs when the reviewer 'overrates' the album, but I have never seen this brought up when reviewer and reader agreed on an album's worth? I guess if both think something is an 8 or 9, clearly that reviewer is objective.)
There is one fatal flaw in that logic.
A strictly "objective" review would be not only terribly boring, it would be basically useless to those interested in learning about the album being reviewed.
How so? Here so. In order to be remotely useful - and vaguely interesting - it has to be chock full of subjectivity. What follows below is an objective review of Metallica's Metallica:
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In 1991 Metallica released their self-titled fifth album. The cover art features the band's logo and a coiled snake derived from the Gadsden Flag. Done in all black, it has caused this album to be also known as "the Black Album" and has drawn comparisons to the imaginary Spinal Tap album Smell The Glove.
At this point in their career Metallica featured Kirk Hammett on guitar, James Hetfield on guitar and vocals, Jason Newsted on bass guitar and backing vocals, and Lars Ulrich on drums.
Metallica consists of 12 songs and lasts over an hour. The band opted to have Bob Rock produce the album after his work on Motley Crue's Dr. Feelgood. Metallica spent four consecutive weeks at number one on Billboard 200, has sold more than 15,000,000 copies, and was certified 15x platinum (diamond) by the RIAA.
The songs are music with electric guitar played with distortion, bass and drums. There are guitar solos in all 12 songs. Hetfield plays an acoustic guitar on "The Unforgiven", "Wherever I May Roam", and "Nothing Else Matters".
Five of the dozen songs were released as singles and received radio play. They were "Enter Sandman", "The Unforgiven", "Nothing Else Matters", "Wherever I May Roam", and "Sad But True". Videos were also made for these five songs.
The song "Don't Tread On Me" features the motto of the Gadsden Flag, whose snake image was also found on the album cover.
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I hope that was helpful. Limited to strictly objective analysis, devoid of anything subjective - such as opinion - I was handicapped in my ability to describe what this album sounds like or how it makes me feel. I cannot even use the word "metal" in describing this release as that is a subjective term in and of itself. A fellow staffer, who proofed that bit, stated, "It reads more like a fact sheet."
Well, in order to be objective, I guess fact is all you have.
An initial scan of this publication reveals it devoid of subjectivity... but I will have to run this by the Council of MetalGeeks for confirmation.
Ultimately, it is not objectivity, but subjectivity which gives the review any worth or entertainment value. I challenge any of you to look back at your favorite review (be it of a metal album on this site or a movie/book review elsewhere) and look into why you like it. My guess is in 99% of cases, it will be because the reviewer had the stones to dare to insert their opinion in to it.
Sure, it would be a plus if the guy or gal reviewing the work had one foot set in objective-land, rather than writing a review fellates the artist (with one hand cupping their balls and another plugging their anus) or bends the artist over and mounts them (without having the common decency to give them a reach around) ?
Ultimately, though, it doesn't matter. What matters is the reviewer's opinion - even if you disagree with it. Music is 99% a subjective experience dependent solely upon the listener. Not that this will matter. Team NERDRAGE will continue to froth at their keyboard and hamfist pound out ranting diatribes that call into question parental lineage of a reviewer for scoring something only somewhere between 'good' and 'very good.'
| Written on 10.05.2011 by BitterCOld has been officially reviewing albums for MetalStorm since 2009. |
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