Coexistence - Flow review
Band: | Coexistence |
Album: | Flow |
Style: | Heavy metal, Progressive metal |
Release date: | 2011 |
A review by: | Milena |
01. Carrion Comfort
02. Web of Oppression
03. Twisted Soul
04. Flow
05. A Rose to Wither
06. Lord of War
07. Unspoken
08. Seize the Day
09. Layarteb
10. Akira
Rating in words: mildly enjoyable.
Let's do some debuts again! Unlike that Royal Hunt album I reviewed a couple of days ago, Flow is truly progressive power metal, and what a nice blend it is - the progressive aspect does not prevail until the album's end, which enables the people who don't usually listen to prog to enjoy it, but the influence and atmosphere is definitely there.
Coexistence is an internet collaboration between the singer Carl Lindquist and the guitarist and bassist Grégory Giraudo, and their debut album is released independently. The sound isn't what you'd expect from a self-produced album, quite the contrary - sure, it's not as squeaky clean as it could be, but it's far from muffled, a very old-school progressive metal atmosphere is emphasized and the programmed drums don't sound annoying at all. Kudos for the person responsible.
However, this release does have a number of flaws. Carl Lindquist is a man of a very strong, distinct voice, obviously influenced in the singing by the likes of Dio and Russell Allen. However, my first impression of the vocal melodies was that most of them don't lead you further into the song nor offer a lot of hooks, but simply serve the purpose of being in slight dissonance with the guitar sound, which is quite "fashionable" in (power) progressive metal but I personally don't see a point in it. By the third listen, I've gotten accustomed to it and I started to enjoy the vocals very much, but my first impression didn't entirely fade. Also, Grégory Giraudo's solos are very tasteful and quite enjoyable, but most of the riffs offered are of transitional or supportive character - maybe I'm just spoiled by last year's awesome prog albums but no riffs here managed to grab my attention.
Until the last track, that is, when the Fairy Godmother to Coexistence's Cinderella came up with a stunning dress to enhance her beauty. "Akira" is a 24-minute-long epic, and while I had my doubts about it (after all, even the masters of epics don't always get it right with songs longer than 20 minutes), it turned to be the most enjoyable track on the album. The buildup, riffs, transitions, vocal melodies and solos - every element complemented the other and I really enjoyed the track. However, I would have stopped it around the 15-minute-mark, as the part behind it is a bit redundant.
If you haven't had enough of melodic or traditional metal last year, search for this for a quick fix till you find something more appropriate to quench your thirst.
| Written on 05.01.2012 by A part of the team since December 2011. 7.0 means the album is good. |
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