My instinct is to connect "arð" to "earth" (fits well with "Erde" and "aarde" and Old English "eorþe"), and by fun extension "Arda", but I'm not finding any direct evidence for this, so possibly that is merely a cosmetic connection. There is also the Modern English word "ard", which is a type of plough whose use extends into prehistory and has similar names in older Germanic languages (including Old Norse arðr). We've got "earth" and "plough" and then this "arð" that means "native land", and I just have to think there are dots waiting to be connected.
I enjoyed what he was saying about "imagined community", especially as I have the same internal confusion of whether I'm actually hearing something because it's there or I'm just hearing it because its quality was implied to me. The packaging is such a big part of metal that I think you could definitely argue for stuff like album art, logos, song titles, concepts, etc. having an influence over what people are hearing. To some extent I think that's not a bad thing and it's even the point, since music isn't
just "the music"; an album truly is and encompasses all those things as a complete artistic work, and using contextual elements to influence a listener's reception is at once a valid tactic and also not something I would imagine even rises to the level of a "tactic" so much as it is a natural part of the creative process anyway. But this does enter a more concrete level of discussion when it comes to folk metal, I find, or at least styles that are somewhat adjacent to it in the way that I would say
Arð is. He used the quality of a melody being "Finnish" as his example, which I found appropriate as I'm continually perplexed by
Amorphis's
The Karelian Isthmus. That album is commonly described as incorporating elements of traditional Finnish music and you see it come up in discussions of early folk metal sometimes, but I can never hear it while listening to the album; then I have to choose between the possibility that I don't know enough about Finnish musical conventions to pick them out in a metal song (definitely true) and the possibility that other fans are confusing folklore-themed lyrics and imagery with folk-derived music (definitely plausible).
I can hear some
Alice In Chains DNA in some of the vocal approach to
Arð. Or perhaps I should say that I hear some liturgical influence in the vocal approach of
Alice In Chains. They're not a comparison I would have immediately reached for, but it makes sense now that he's said it.
That is a hell of a great t-shirt you've got, it sounds like.
I also find it funny that you guys are old.