Metallica - ...And Justice For All review
Band: | Metallica |
Album: | ...And Justice For All |
Style: | Bay Area thrash metal |
Release date: | August 25, 1988 |
Guest review by: | Hermann Langke |
01. Blackened
02. ...And Justice For All
03. Eye Of The Beholder
04. One
05. The Shortest Straw
06. Harvester Of Sorrow
07. The Frayed Ends Of Sanity
08. To Live Is To Die
09. Dyers Eve
10. The Prince [Diamond Head cover] [Japanese bonus]
11. One [live] [digital reissue bonus]
12. ...And Justice For All [live] [digital reissue bonus]
Metallica! Need we say anything more about this band? They are the biggest Heavy Metal band ever to have existed, sold more records than any other Metal band and have performed in almost all the countries on the planet. They are the fathers of Thrash Metal and are one of the most influential bands of all time. Most of you know a great deal about them so I won't be elaborating anymore.
...And Justice For All was released in 1988 and was the first to feature Jason Newsted on bass following the tragic death of their original bassist Cliff Burton.
This album is an enigma of sorts as on hearing it you get the feeling that it is more of a Progressive Thrash record rather than a full-on Thrash record and I have a good reason to back my claim as ...And Justice For All featured long, complex songs dominated almost completely by the rhythm-guitar parts. The drums occupied a relatively high frequency range, with the kick drum given a top edge that was unusual for the day and most infamously the bass guitar was almost completely mixed out. Staying on the topic of bass guitar it may have been because of the fact that Newsted was the new guy and the other 3 guys had still not completely gotten over Cliff's death and the only way for them to deal with it was to bring it out Jason Newsted.
The album opens with "Blackened" which has that classic introductory riff and now it is, more often than not, the opening song in most Metallica concerts . The album also features the epic "One" which is, atleast in my opinion, the best Metallica song ever and also their best song while performing live. "To Live Is To Die" is the customary instrumental number. "Harvester Of Sorrow" is another chestnut from that album and sounds even better when performed live.
Metallica was it's creative peak at that time and all it's members were at their peak form. James Hetfield was at his sublime best with the rhythm guitar and it is not wrong to consider him as the greatest rhythm guitarist ever, his rhythm pickings are razor sharp in precision and he has inspired a whole new generation of guitar players . James' machine-gun like picking in "One" is nothing but extraordinary. Kirk Hammett was great with his solos. Lars Ulrich gave his best ever drumming performance in "Dyers Eve". Jason Newsted's bass-lines were sadly muted out .
The production was not good but in a way it made the album sound even heavier! Even though ...And Justice For All hasn't done much justice to the bass guitar it is still a bona fide classic.
This was the last classic Thrash album made by Metallica before they went sell-out with their self-titled album in 1991.
Rating breakdown
Performance: | 10 |
Songwriting: | 9 |
Originality: | 10 |
Production: | 6 |
Written by Hermann Langke | 04.07.2010
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Guest review by
Powerslave16
Powerslave16
Rating:
9.0
9.0
Rating: 9.0 |
When I came across Aguirre's review of Metallica's '...And Justice For All', I immediately spewed Coca-Cola everywhere and threatened the non-stickiness of my keyboard. I didn't see it coming, I guess. Aguirre is entitled to his opinion, but what follows is my review of Metallica's 'last great' and 'progressive' album. Read more ›› |
Rating:
8.0
8.0
Rating: 8.0 |
It can easily be said that music is a photo in time. A fragment in where society is once shot, forever leaving the remembrance of where and who we were. This translates directly and more so intently to an artist or band, and where they were in their lives and careers when a piece of work was released. For Metallica in 1988, two-years removed from a loss of a brother, a friend and a band mate, bassist Cliff Burton, they showed their scars in an album that I can only help but adore. "?And Justice For All" is a long, (65-minutes long, 10 less than the maximum) drawn out, epic, loud, angry, and emotionally charged record that sweeps its listeners up into its messages and endless musicianship. Read more ›› |
Rating:
5.0
5.0
Rating: 5.0 |
Hmmm, so this is the last "true" Metallica classic? Let me start off by saying a lot of fans consider this to be their "progressive" album, while after hearing it through, the only thing I can point out that has "progressed" is the band's ability to bore the listener into a deep coma after a couple tracks. Read more ›› |
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