Opeth - Blackwater Park review
Band: | Opeth |
Album: | Blackwater Park |
Style: | Extreme progressive metal |
Release date: | March 12, 2001 |
Guest review by: | Rupophobic |
01. The Leper Affinity
02. Bleak [feat. Steven Wilson]
03. Harvest
04. The Drapery Falls
05. Dirge For November
06. The Funeral Portrait
07. Patterns In The Ivy
08. Blackwater Park
09. The Leper Affinity [live] [Legacy edition bonus]
[Limited edition bonus CD]
01. Still Day Beneath The Sun
02. Patterns In The Ivy II
[Legacy Edition bonus DVD]
+ 5.0 Audio Mix Of The Original Album
+ The Making Of Blackwater Park
Passion. That's what Blackwater Park is all about. Pure, unadulterated passion. Forget that Opeth display musical ability and know-how that is rivaled by few. Forget that the ending to The Leper Affinity goes from what can only be described as one of the greatest jam sessions ever, to a beautiful, yet melancholic pianistic epilogue. Forget that Harvest is one of the greatest acoustic songs ever written. Forget that Blackwater Park contains the perfect metal riff. Forget that Mikael Akerfeld quite possibly has the best voice in all of music. Forget that every moment of this album will make you stand in awe of what you're hearing. Why should you forget all that? Because none of it matters.
What matters is that Opeth's music connects with the listener on a level that no other band has ever obtained. Just what that level is can's be defined. It can only be felt. And the only way to feel it is to listen. And I do mean LISTEN. You shouldn's do so much as twiddle your thumbs during the play of this, or any other of their albums. You would only be hurting yourself. Their only rivals in this department would be the immortal classical composers, such as Bach, Beethoven and Mozart. But Opeth still beats them out.
I can's tell you how difficult it is for me to rate this at all. By doing so, I'm implying that Blackwater Park, and indeed all of Opeth's works, can be somehow compared with any other album by any other band. That is simply not true. I have given perfect 10's to bands that don's even register on the scale when compared to Opeth. The very fact that I'm pretending to be worthy enough to even discuss Opeth's music is an unforgivable sin. No amount of words in this, or any other, language can begin to describe the tapestry of emotions on this, or any of their albums. Opeth's creations transcend not only metal, but art itself. This is the language of the soul.
Written by Rupophobic | 18.09.2003
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Rating:
2.0
2.0
Rating: 2.0 |
This charade has gone on long enough. It's time someone gave this crappy album an honest assessment. Read more ›› |
Rating:
9.9
9.9
Rating: 9.9 |
There are few bands that dare to continuously expand their musical sphere with each release, expecting their fans to accept the changes - even fewer succeed. Mikael Åkerfeldt, song writer and front man of Opeth, has pushed Opeth to do so since the band's inception and perhaps it's this constant change, not giving the audience a chance to adjust to one particular niche, which keeps them from ending up like so many metal bands before them: repetitive and uninspired. 2001 was the year Opeth opened the floodgates of creativity and released what many believe to be their magnum opus, an album so hyped you might doubt its brilliance. I'm here to tell you not to doubt. This is Blackwater Park. Read more ›› |
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