Concerning
Sad Wings of Destiny, I absolutely love the first half of the album. Rob's voice on "Dreamer/Deceiver" is simply magical. "Tyrant" is also good. The rest of the second half, however, doesn't really do it for me. I know people are sick of comparing albums, but
Stained Class is the overall better 70's Priest experience. It might not have the epic melodic highlight of "Dreamer/Deceiver", but it does have "Beyond the Realms of Death". And it's well paced, the quality of every song ranges from great to perfect, and I just love those catchy grooves like “White Heat, Red Hot” and “Better By You, Better Than Me”. Anyway, back to
Sad Wings. It's definitely a landmark for its time, was a great starting point for Priest's development, and simply deserves all the praise it gets.
Addressing the comparisons made to
Painkiller, both in the comment thread of Sahar's review and here in this thread, I want to lay out some of my thoughts. So, I'm sorry in advance for the rambling, but, hey, a comment section is meant to be filled, right?
Anyway, yesterday I was listening to my compilation CD of
Judas Priest while studying. And it hit me again why I love this band. The tracklist of the compilation CD is structured chronologically, so one can nicely follow the historical evolution of the band. And what a fascinating evolution it truly is. For instance, I'm listening to the heartfelt “Diamonds and Rust”, when I'm suddenly faced with the speed metal “Exciter”. Next up is the epic, melancholic ballad “Beyond the Realms of Death”, only to be immediately followed by the groovy rock anthem “Hell Bent For Leather”. One after the other, you've got such drastically different styles, but they all are so entertaining, so well done, and somehow all feel so much like
Judas Priest. What does that mean? Well, it certainly helps that the lineup stayed incredibly consistent over several decades so that, no matter what they play, that guitar duo, that voice, that groove are so uniquely recognizable. No matter how much they veer away from the style of their early days, there's some unidentifiable core element to their sound that always stays there.
That takes us to
Painkiller. The extreme culmination of a long journey through various styles: from sweet melodies like “Epitaph” to stadium anthems like “Breaking the Law”, from fun glam metal like “Turbo Lover” to the ominous battle cries of “Blood Red Skies”. And yet, after listening to all those mixing moods, my jaw still drops at that drum fury, those lethal guitar riffs, and those iconic shrieks from hell in the one and only
Painkiller. I wasn't there in the 1990, but I imagine it must've taken a lot of guts to release such an intense, unrelenting rollercoaster. Sure, thrash and death metal were already invented by other bands at that point, and Priest had fast and mean guitar riffs on
Defenders of the Faith and
Ram It Down. But never had Rob screamed so anti-melodically, with so much rage that, if you look back at the melancholic “Dreamer/Deceiver”, you could mistake him as an entirely different person. On
Painkiller, they went all out, going for the throat, pulling no punches, throwing all this passion and skill into a melting pot of intricate guitar solos, pummeling percussion, menacing riffs, and gloriously catchy songwriting to string it all together.
I'm amazed at how the band keep reinventing themselves every few years and somehow keep succeeding no matter what they do. For a question like
Sad Wings vs
Painkiller, it's almost impossible to compare, let alone to choose one. They clearly had totally different goals in mind when creating those two albums, and, therefore, what a listener prefers will depend on what they want from the music. You want beautiful vocals and epic lamentations?
Sad Wings is your best bet. You want to bang your head till it comes clean off?
Painkiller is right this way. Personally, no matter what I want from heavy metal, I can always find a
Judas Priest song to reliably deliver the goods. As KK Downing once said (according to the booklet of this compilation CD), “
Black Sabbath are
heavy, but
Judas Priest are
metal.”