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Nile - The Underworld Awaits Us All review



Reviewer:
7.7

188 users:
7.87
Band: Nile
Album: The Underworld Awaits Us All
Style: Brutal death metal, Technical death metal
Release date: August 23, 2024
A review by: omne metallum


01. Stelae Of Vultures
02. Chapter For Not Being Hung Upside Down On A Stake In The Underworld And Made To Eat Feces By The Four Apes
03. To Strike With Secret Fang
04. Naqada II Enter The Golden Age
05. The Pentagrammathion Of Nephren-Ka
06. Overlords Of The Black Earth
07. Under The Curse Of The One God
08. Doctrine Of Last Things
09. True Gods Of The Desert
10. The Underworld Awaits Us All
11. Lament For The Destruction Of Time

London metalheads agree.

The Egyptian tourist board's favourite band, Nile return once again (alongside Sabaton) to make history teachers redundant with their ancient Egyptian tech death. Ten albums and still going strong, Nile may be a backwards-looking band, but their style and form is timeless. The Underworld Awaits Us All is another strong slab of brutal tech death that will see your brain shaken violently from headbanging before being pulled out through your nose (damn ancient Egypt, you weird).

The power of the pyramids flows through the band's tenth album, as the band show no signs of slowing down or running out of inspiration with yet another high quality release. For those who don't know their Anubis from their elbow, The Underworld Awaits Us All is a good introduction to the band if you have yet to fall under their spell, even though on papyrus (sorry, I mean paper), the band's better work comes earlier in their career.

A statement of intent, the appropriately titled "Stelae Of Vultures" signposts the direction the rest of the album will take: a mix of traditional sounds, blasting drums and the kind of guitar work that will make you sit up and pay attention. Coming out the gates so strong can often lead to the following tracks paling in comparison; thankfully for listeners that is not the case here. "Naqada II Enter The Golden Age" highlights the band's diversity, and ability to lean into a groove without sacrificing the sonic weight of their sound.

I was surprised to see that Sanders is 61, for his vocal prowess on tracks like "Doctrine Of Last Things" belies his years. Managing to balance his dual roles as guitarist and vocalist, "Overlords Of he Black Earth" is testament to his talents and enduring songwriting abilities. Ably supported by the rest of the band, with the likes of Kollias managing to throw in intricate fills in between full-speed blast beats, Nile cement their place at the upper echelons of the death metal pyramid on talent, rather than theme alone.

Do Nile write their lyrics in hieroglyphics? If so, they must have been running them through Google translate, as that would explain how "Chapter For Not Being Hung Upside Down On A Stake In The Underworld And Made To Eat Feces By The Four Apes" got its name: a solid track, but easily winner of the strangest song name of 2024. It's a song that highlights the strong (if somewhat characterless) production that ties everything together neatly.

It's not all Hathor and happiness however, with the album losing much of its earlier momentum at the tail end of the record. The Underworld Awaits Us All unfortunately shines a spotlight on its weakest moments by placing its two poorest (and longest) tracks towards the end of the album, after bursting out the gates with its shorter and sharper attacks at the start.

"True Gods Of The Desert" does seem like a somewhat directionless meandering of a track: a break from the formula, but one that suggests there is good reason the band don't often deviate far from it. The fact it runs on for seven minutes does not help hide this fact. The title track does stick to the formula and certainly has its merits thanks to the guitarwork and Kollias' drum work, but it could have benefitted from shaving off a few minutes of its runtime.

The underworld may indeed await us all, but Nile highlight that there is still plenty of life left in them. Reaching double digits in terms of output, the band celebrate in style with yet another strong release that will appeal to fans old and new.


Rating breakdown
Performance: 8
Songwriting: 7
Originality: 7
Production: 6





Written on 22.08.2024 by Just because I don't care doesn't mean I'm not listening.


Comments

Comments: 4   Visited by: 178 users
23.08.2024 - 11:24
Rating: 9
DarkWingedSoul
Yep, its a really good one, the drums are amazing as always, i just would not mind a bit more of the egyptian vibe from the first albums...
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23.08.2024 - 14:08
Derelict Earth
I don't get why you put only 6 for the production, it is incredible !
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02.09.2024 - 21:26
Baz Anderson
Staff
I'd gotten a bit jaded with Nile recently, even after seeing them live again a couple of years ago... so I didn't have particularly high hopes for this album to be anything amazing. Surprise surprise though, it's probably my favourite album from them in 15, maybe more, years. There's less messing about and feels more down to business - really good album.
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24.10.2024 - 19:06
Rating: 9
gavrosaurus
This music is so dense, so technical and so unapproachable that it really is such a challenging listen. I am not a novice to Nile catalog or with Karl's solo work or (death) metal in general and yet, after all these years, this record is the most complicated and insane Nile album to date. Compared to "The Underworld Awaits Us All" even "Annihilation of the Wicked" seems childishly simple (?!) and easy memorable, even later albums which is ridiculous to say considering the complexity of those records. There are songs I have listened to more than 20x now and STILL haven't memorized them and, again, I am anything but an unexperienced listener.
Insane.

Now get this - THE man is a 60+ years old person! George is not a kid anymore himself by any means, but the energy, the drive to make this kind of an album is just amazing, it really is. There should, like, be a motivational post on LinkedIn - go listen to these people and see what REAL motivation is. Like, go hear "To Strike with Secret Fang" if you are on low energy level. Some crazy hard work there. Production is just perfect, spot on, brilliant; it's loud, clear, crisp and thunderously heavy yet this is so f* fast and even nowadays it's not easy to make it all clear and separate enought not to have musical mud in your ears. I envy you guys who got it quickly, after just few listens because for me, this is a real challenge, it's like having 5 records compressed into one, layer after layer. Now, I am not completely sure it is a positive thing because it's "virtue" may be it's biggest flaw, it a hard hard listen.

Highlights are, for sure, the last three songs, Nile being epic, doomy and sooo heavy. The biggest let down, and I really could not believe my ears (and still can't) how anybody thought this was a good idea: the mood/rhythm switch in "Lament for the Destruction of Time" and female vocal that announce that direction change, at (2:43-2:56) ESPECIALLY at 2:50...so out of tune, out of touch, not even a decent voice color...what tha f* is that part doing there, how did it get it's place in that song...WHYYY damnit!?

Overall, Nile is still Nile, relentless, creative, driven; musicianship is top notch, production is ideal. No compromise with Nile, respect it's (musical) wide stream or go find some shallower water.
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