Wormwood - Ghostlands - Wounds From A Bleeding Earth - review
Wormwood - Ghostlands - Wounds From A Bleeding Earth - review
Band
Wormwood Release date
March 10, 2017 Tracklist
01. Gjallarhornet02. The Universe Is Dying
03. Under Hennes Vingslag
04. Godless Serenade
05. Oceans
06. Silverdimmans Återsken
07. Tidh Ok Odhe
08. Beneath Ravens And Bones
09. The Windmill
10. What We Lost In The Mist
11. The Boneless One
12. To Worship
A review by
nikarg July 15, 2017
Wormwood is a Swedish band that had only released one EP, called The Void: Stories From The Whispering Well, before this album. For those who have heard it, bits and pieces of inspired black metal can be detected; however, it was impossible to predict the awesomeness that was slowly brewing in the minds and hearts of the band and was going to come out two years later in the form of this full-length.
Ghostlands - Wounds From A Bleeding Earth reveals influences from classic Swedish black metal and especially Dissection, as well as Viking metal, particularly later-era Bathory, enhanced by Kvelertak-style black'n'roll and plenty of Scandinavian folk. Wormwood is not a copycat band, though; they manage to blend different genres in such an excellent manner that the final result, instead of sounding confusing and/or rehashed, feels so refreshing and new that it offers the listener a natural high.
The band is daring to mix contrasting styles not only from song to song, but also within the same song. The first single, "Godless Serenade", for example, begins with black shoegaze epicness that is followed by an acoustic passage, then a few seconds of melodic black metal riffing before turning into an upbeat black'n'roll anthem and concluding with a-return-to-basics black metal part. "Tidh Ok Ödhe", on the other hand, starts as a bright and happy folk song with accompanying female vocals and a "la-la-la" chorus that will stick to your mind forever. Three minutes later, the song becomes a black metal whirlwind that destroys everything in its path, before changing back to the cheerfulness of the beginning.
The contrasts are endless in this album and I could go on detailing them forever. From the brutal male growls to the ethereal female voice of Alexandra Moqvist and from the sometimes crushingly heavy or other times heavenly melodic guitars to the mellowness of the synths and the violin, this record is a journey of antitheses that are merged in the most resourceful way in order to create an unparalleled atmosphere, wherein the listener feels surrounded by stunning nature and experiences a vast range of emotions.
The guitars and the ingenious riffing and melodies play the protagonist role, escorted by the rhythmic and engaging drumming. The lack of a more distinctively audible bass is the only thing that slightly diminished my listening experience, but the production in general is open and roomy. I have no favourites whatsoever, but if you put a gun on my head, I'd go with the incredibly catchy "The Windmill", a song which I'm sure Tribulation would have loved to be theirs. For the last three months I have been listening to Ghostlands - Wounds From A Bleeding Earth from start to finish, without skipping a single track, at least once a day. Even after so many repeated listens, the ending of the album's epic closer, "To Worship", gets to me and fills me with overwhelming emotion every single time, functioning as the culmination of the previous eleven songs' grandeur.
Best debut and album of the year contender.
"Fly, take me to the sky
Die, I am forever
We are the weaves of this cosmic tapestry
Cry, as the last star is gone"
Rating breakdown
| Performance: | 10 |
| Songwriting: | 10 |
| Originality: | 8 |
| Production: | 9 |
Comments
Comments:
19
Visited by
415 users
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
|
Posts: 32 |
| |
| |
|
Posts: 1 |
Hits total: 11542 | This month: 1
The near perfect score is predominantly based on my personal view on the quality of the compositions themselves and the pure enjoyment experienced while listening.
