Ulver - Flowers Of Evil review
Band: | Ulver |
Album: | Flowers Of Evil |
Style: | Synthpop |
Release date: | August 28, 2020 |
A review by: | RaduP |
01. One Last Dance
02. Russian Doll
03. Machine Guns And Peacock Feathers
04. Hour Of The Wolf
05. Apocalypse 1993
06. Little Boy
07. Nostalgia
08. A Thousand Cuts
All great songs are either about love or the apocalypse in some way. Sometimes both.
With Ulver having such a chameleonic reputation, quite the last thing you would expect from them is the expected, or in this case, for one album to sound like something they have released before. You don't need me to run you through Ulver's discography to know how little that has happened before. Sure, some ambient stuff from one album could maybe fit into another album, or some electronic art rock from one into another, so on. But never before was it clearer than here that Flowers Of Evil is the spiritual successor of The Assassination Of Julius Caesar. Do we want an ever-shifting band to always change their sound or do we let them linger for just a while more on a sound they mastered?
In their defense, they have released one other "album" in between The Assassination Of Julius Caesar and Flowers Of Evil, the somewhat live-ish Drone Activity, and even though that was also clearly a spiritual successor to ATGCLVLSSCAP, they had clearly distinct intentions and vibes. Instead the songs on Flowers Of Evil and The Assassination are pretty interchangeable most of the time, and what running thread that separates any distinct feeling of both albums is barely noticeable, and certainly not noticeable enough to break the flow if such a supposed mashup were to happen. Believe me, I've tried it. So, this is certainly bad news for people who didn't like The Assassination and good news for the ones who did, right?
Pretty much, yeah. I have a slight preference for the earlier album, but I can definitely see Flowers Of Evil ranking higher than it for some similarly minded people. Though once again into more synth-focused art pop territories, I've never heard Ulver as overtly disco as on "Nostalgia". Hell, they were nostalgic enough to release a 300+ pages long book on their history along with this album, but that's a story for another time. Though not exactly as great as Jessie Ware's recent take on disco, it feels so weird to hear a band that still reeks of darkness under the moon and funerals to make such a defiantly upbeat song. It's not like the album's tones aren't still very in line with their "doom dance" feelings, but just on the sound department, they've almost tipped the scale more on the dance side than the doom ones. How liberating to hear them having fun, without doing it just out of spite.
But that's soundwise. These are songs that sound like songs about love, but they're the other type of great song. Well expect the last song, which is about two young lovers that found each other at the end of the world, so technically this is the best example of being both types. And I'm sure a lot of people, regardless of their sexuality, will enjoy hearing Kris singing about "the pleasures of the flesh". But for the most part, as relatively bright as the album sounds, it is still filled with images of destruction, things ending, abandonment, and especially about that time of the day in between night and day, when sleep is the deepest and nightmares most real. The latter even takes the song name from an Ingmar Bergman film, as if the cover art being a shot of La passion de Jeanne d'Arc wasn't cinematic enough. Leaving behind the Caesars of the last album, Flowers Of Evil finds a world still ending after "when Rome falls, so falls the world". And the most recent one, with even has Apocalypse in the title, mirrors both the Waco siege, and closer to home, Ulver being born.
Though I'm sure that, like me, there were plenty of people who didn't think that the Sic Transit Gloria Mundi was enough of an addendum to the doom dance of The Assassination Of Julius Caesar, I still wouldn't want them to settle too comfortably in these waters. As much as I hope they would do another case of releasing an extra EP with a synthpop cover (hopefully with a Depeche Mode one this time around), there are greener pastures unexplored. And for a band as versatile as Ulver, I don't want to imagine that they'd ever not want to keep exploring.
Rating breakdown
Performance: | 9 |
Songwriting: | 8 |
Originality: | 7 |
Production: | 9 |
| Written on 22.08.2020 by Doesn't matter that much to me if you agree with me, as long as you checked the album out. |
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