Enslaved - Axioma Ethica Odini - review
Enslaved - Axioma Ethica Odini - review
Band
Enslaved Album
Axioma Ethica Odini Style
Progressive black metal Release date
September 27, 2010 Tracklist
01. Ethica Odini02. Raidho
03. Waruun
04. The Beacon
05. Axioma
06. Giants
07. Singular
08. Night Sight
09. Lightening
[Limited Edition Bonus 7" Vinyl]
01. Jotunblod (Doom)
02. Migration
A review by
Daniell September 30, 2010
This is exactly the case with Axioma Ethica Odini. With every listen you will discover a new gem of a song. You will encounter a new, surprising time signature. You will be amazed by another mood shift, keyboard part, vocal line, or labyrinthine progression of riffs within a single song. "Ethica Odini" will keep you enchanted with its catchy, yet wonderfully convoluted chorus and ominous keyboards, creeping just underneath the guitars. "Singular" will enthrall you with its ever-shifting time signatures and seduce you with a psychedelic guitar passage and eerie vocals that come about six minutes into the song. You will be captivated by the majestic beginning of "Giants," slowly thickening, sinister buildup to the madness of "Waruun," or the mellow beginning of "Night Sight". Finally, "Lightening" will bring you to your knees - this is the most progressive and ambitious song Enslaved have ever written. Let me also add that it's their best song to date.
Enslaved's journey to greatness has had, so far, two highest points: Below the Lights and Isa. Ruun and Vertebrae developed concepts first mastered on Isa, at the cost of abandoning some of the band's root values - musical heaviness and aggression. Excellent as they are, the previous two releases display a somewhat tenderer side of Enslaved. Axioma Ethica Odini successfully alloys the old style with the new direction. Enslaved sounds angry and heavy like 15 years ago, but at the same time they're more progressive than ever. Keyboards work stealthily, yet steadily, lending the songs majestic depth. Sparsely, but wisely used clean vocals break the wall of sound with intriguing, haunting melodies. Unique guitar style permeates all riffs, imbuing them with a peculiar oddity that only Enslaved possesses. This album is a perfect connection between the old and the new Enslaved. It's also a perfect stepping stone to an even more stellar career.
The beginning of the 1990's brought us plenty of excellent black metal bands: Mayhem, Enslaved, Emperor, Satyricon, Burzum, Darkthrone, Immortal, to name just the essential classic few who defined black metal for at least two decades. Some of them ceased to be, some of them are still active. But out of all those that are around, Enslaved stands as THE major force. Not only in black metal, but extreme metal in general. The bravest, the most creative and inventive. The closest to what very few are privileged to achieve - musical immortality.
Rating breakdown
| Performance: | 9 |
| Songwriting: | 10 |
| Originality: | 9 |
| Production: | 9 |
Rating:
2.9
2.9
|
Rating:
2.9 |
Here we are again. I say that because Enslaved are beating the proverbial "Nordic Black Metal" horse to death. It seems like this is becoming a standard out of the Northern European Black Metal scene these days. Scary makeup, growling vocals, droning guitars, and a complete lack of direction other than to throw in some "evil" lyrics. Like anyone will ever go as far as Mercyful Fate did in the 80's lyrically? Doubtful, and I haven't seen anyone do it yet. Read more ›› |
Rating:
7.0
7.0
|
Rating:
7.0 |
It is almost certainly true that in each professional musician's life - if they are passionate and serious about their art - comes a point, when they become almost too good at what they do and the result is an album that doesn't take very many risks or doesn't include any truly mind-blowing melodies, riffs, solos, etc. For Enslaved, that point of becoming too good to take risks came with 2010's Axioma Ethica Odini. Few albums will impress as highly on the first listen as this one, but that's not necessarily a good thing when it comes to (extreme) metal. An initial reaction of "I don't quite get it yet, but it's interesting" holds much more promise of an album becoming a true classic than does "OMG! This is awesome!" Read more ›› |
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