Terra Tenebrosa - The Reverses review
Band: | Terra Tenebrosa |
Album: | The Reverses |
Style: | Ambient, Avantgarde metal |
Release date: | June 17, 2016 |
A review by: | Auntie Sahar |
01. Makoria
02. Ghost At The End Of The Rope
03. The End Is Mine To Ride
04. Marmorisation
05. Where Shadows Have Teeth
06. Exuvia
07. Fire Dances
There's not much that can be easily understood in the bizarre, nightmarish world of Terra Tenebrosa. Then again, perhaps there's not much that's really meant to be. After two full lengths and an EP, fans of the band may eagerly be wondering what the next step is, and if The Reverses provides any clues that make the picture these eerie Swedes paint any clearer. Come, children, and we shall find out by traveling through the rabbit hole yet again. And by "rabbit hole," I mean vortex.
The Reverses could very well be the most cohesive representation of Terra Tenebrosa's sound yet, the one that feels the most as if it allows all aspects of their identity to breathe. As prior fans of the band would probably agree, it's quite easy to simply refer to their formula as Avantgarde metal. Yet if we want to get specific about it, this idiosyncratic approach is something of a swirling maelstrom of industrial, sludge, black metal, and droney, dark ambient influences, thrown into a vicious blender and poured out in a final, entrancingly haunting result. Terra Tenebrosa at first seemed to go more in the dark ambient direction on their debut The Tunnels, then shift more to the industrial/sludge agenda on The Purging, and upon first listen, it appears as though The Reverses seems to balance these two approaches out, being more of a mix of a two than anything else. As we all know, however, first impressions can be faulty.
With many bands that fuse a large number of genres together into their final sound, what you often see happening is that certain tracks on their albums lean more towards one genre over the others, but this is simply not the case with Terra Tenebrosa, especially on The Reverses. Whether the band went more for the sound of their debut or their sophomore effort here is a mystery, one that may drive you mad trying to decipher. At times the music can be extremely catchy, riff-heavy, and bouncy, more like The Purging, but it also oozes of the more ethereal influences of black metal and dark ambient found on The Tunnels. No tracks settle on one stylistic influence over another, and as soon as you feel that one is taking precedence, another pops in and proves you wrong (best examples being "Marmorisation" and the massive "Fire Dances"). This is the mark of spectacular Avantgarde songwriting: the fusion of many different techniques towards the creation of a simply indecipherable whole.
As with previous Terra Tenebrosa albums, The Reverses is a riddle, one that only seems to get more difficult the more you attempt to figure it out. But on this album, the riddle seems more puzzling than ever, as it feels as though the band have finally come into full force with the creation of what could very well be the finest blend of their various influences yet. While The Tunnels and The Purging were certainly not bad albums by any means, The Reverses feels more mature, as if it's the album Terra Tenebrosa always wanted to make, but somehow didn't manage to until now. They have gone deeper into the abyss, further towards the aether and the black clouds of the unknown. And what they've returned with is nothing short of stunning.
Is the music going in reverse? Or is your brain? Only one way to find out.
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