Band:	ADX
Album:	Non Serviam
Style:	Speed metal
Release date:	June 10, 2016
A review by:	ScreamingSteelUS

01. L'Aube Noire
02. La Mort En Face
03. La Complainte Du Demeter
04. B-17 Phantom
05. Non Serviam
06. Les Oubliés
07. L'Irlandaise
08. L'Énigme Sacrée
09. Cosaques
10. La Furie
11. Theâtre De Sang

For a band in its fourth decade of existence, ADX sounds surprisingly spry and spirited. No, scratch that - for any band, ADX has a lot of heart, a lot of charisma, and a clear, powerful sound that seems to be quite rare in today's speed and thrash circles.

Though ADX sounds more comfortable and creative with the broader, smoother melodies commonly associated with speed metal, the thrashiest segments of the album indicate a solid understanding of how to descend to heavier depths. Even in the stiff, staccato confines of thrash, the guitars and bass find moments to break loose, and the tight, crisp drumming provides a surprisingly engaging counterpart to pick up the slack. "L'irlandaise" showcases many of the album's strongest elements; despite its moderate tempo, the song owes much more to thrash than to speed or power, but the triple-lead riffing of two guitars and bass has a triumphant Iron Maiden-y feel. The solo might be the least flashy part of the song, but it is one of the most powerful and commanding solos I have heard in a long time, steadily compounding as the song fades out - it's the capstone of some all-around excellent solo work.

I don't listen to too many bands that sing in (intelligible) French, and I like hearing the interesting flavor of Phil Grelaud's vocals; the French language lends a certain je ne sais quoi, especially to the dramatic chorus of "Non Serviam," definitely a track that stands out amongst the most recent bevy of albums that I have reviewed. The sprightly production shields no instrument from the limelight, allowing the sound of the full band to kick through vigorously (even the bass, which is great, because Julien Rousseau has a few tricks to show off). Even if I've heard a few of these riffs before, the songs feel fresh and new thanks to the glossy sheen of professional production and rousing performances.

I found Non Serviam fairly enjoyable. While the overall sound may be nothing new and the quality of songwriting varies, certain small elements - the French lyrics, the slight throatiness of the vocals, the subtle shifts from speed to thrash and back - score extra points. On top of the two stellar standouts, "Non Serviam" and "L'irlandaise," this album's greatest strength is that it makes me curious as to what else ADX has to offer. Though I may only rate the album so highly, Non Serviam sticks in my mind, and I'll be catching up with ADX when I get the chance.