Morbid Angel - Altars Of Madness review
Band: | Morbid Angel |
Album: | Altars Of Madness |
Style: | Death metal |
Release date: | May 12, 1989 |
Guest review by: | Mega-Slayer |
Disc I
01. Immortal Rites
02. Suffocation
03. Visions From The Darkside
04. Maze Of Torment
05. Lord Of All Fevers And Plague [CD version bonus]
06. Chapel Of Ghouls
07. Bleed For The Devil
08. Damnation
09. Blasphemy
10. Evil Spells
11. Maze Of Torment [remix version] [bonus]
12. Chapel Of Ghouls [remix version] [bonus]
13. Blasphemy [remix version] [bonus]
Disc II [DVD] [2006 Reissue bonus]
Live In Nottingham Rock City, 1989
01. Immortal Rites
02. Suffocation
03. Visions From The Darkside
04. Maze Of Torment
05. Lord Of All Fevers And Plague
06. Chapel Of Ghouls
07. Bleed For The Devil
08. Damnation
09. Blasphemy
10. Evil Spells
Where do I begin to explain such a worthy debut? Well, I should start with the affect it had on me, and the metal community: I believe this had the biggest affect towards the influence of extreme music with it's relentless blasting, blasphemous lyrics, and heavy riffing. I mean this record contains any metal heads' dream that being if solos are your thing. Well my friend they are a plenty here, there must be 35-40 solos, and what impresses me is that there isn't really any similarity between any of them. Richard Brunelle and Trey Azagthoth make the greatest team, equivalent even to the mighty Jeff Hanneman and Kerry King, the solos and performance for a debut will really blow your mind. Trey had formed Morbid in '83 so his eagerness to release a record must've really helped as he poured his heart and soul in the composition and execution of the riffs and soloing.
Now onto the drumming - man does Pete impress me. When I first heard "Altars" I was shocked by his speed, he doesn't necessarily let up at all. While blasting might sound all the same to most people I find that the most skilled drummers (Pete, Mike Smith, Flo Mounier) have their own uniqueness, especially the way Pete lays it down. Take "Bleed For The Devil" as an example, the blasting is constant and it has to be hard to play like that. Though repetitive to some, the blasting is a definite highlight for me. Okay the man David Vincent shines on their debut, while he doesn't really strike you as brutal as most other death vocalists, he gets the job done rather well. I can't quite find the word to describe it but his voice is somewhat raspy, if that makes sense. It may take a while to make out the bass on the album, I know it took me quite a few listens, excluding "Suffocation" which I think has like a 3 second bass solo. The highlight tracks you'll have to figure out for yourself, since they are all top of the line old school death metal, and I can only say I love all of them. One other thing I should mention is that it will only grow on you, you'll find that with every listen you shall only enjoy it more.
Well to Conclude my review I will leave you with a few final words: if Satan, Evil Spells, and extreme drumming and guitar work are your things then pick this album up as soon as you're finished reading my review. This is my favorite Morbid Angel release and has to be their finest hour based on the energetic musicianship, catchy lyrics and riffs; hell, I could go on and on about this evil piece of art, but find out for yourself.
Rating breakdown
Performance: | 10 |
Songwriting: | 10 |
Originality: | 10 |
Production: | 9 |
Written by Mega-Slayer | 17.11.2006
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Rating:
7.9
7.9
Rating: 7.9 |
There is a living continuum that flows through all of us, connects us together, but also lets us be who we are. It's just ever-flowing lava, and the inner rhythm that guides and commands us. It was always bound to happen, and somewhere in the musical mess of the 80's death metal was born. You could say the force of the universe gave us the creative mind to birth a genre of such musical genius that would later be labelled as one of the very few that still requires a substantial amount of talent to create. Read more ›› |
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