Bucovina - Septentrion review
Band: | Bucovina |
Album: | Septentrion |
Style: | Folk metal |
Release date: | December 08, 2018 |
A review by: | ScreamingSteelUS |
01. Către Tara De Sus
02. Septentrion
03. Din Negru (In Mai Negru)
04. Aşteaptă-Mă Dincolo (De Moarte)
05. Noapţea Nimanui
06. Stele Călăuză
07. Făurar De Vise
08. De Cremene
09. Nestrămutat II
10. Vinterdøden [bonus]
It took three years, but at last we have another review of a Romanian band that Radu didn't write. Hey, maybe this time I won't sound like an idiot.
Bucovina's interpretation of folk metal relies on implicit more than explicit elements much of the time, being based firmly in conventional heavy/power and veering into black metal in its harshest moments. For this reason - and for the strength of Bucovina's vocal harmonies - I compared them to Heidevolk in my review of Nestrămutat, and I hear in Septentrion a similar evolution to what the Dutch sextet underwent earlier in 2018: where Nestrămutat could be upbeat in a bracing, cathartic sense, Septentrion retreats into a melancholy malaise. Its edges are dulled and tarnished, lacking the bold vocal lines and clean production that made previously made Bucovina deserving of Romania's metal throne in the wake of Negură Bunget's dissolution.
After a very Forefather-esque medieval synth introduction, Septentrion enters with a title track that oscillates between similarly portentous extremity and charmless acoustic/clean verses. The rest of the album follows in this fashion; at its blackest, Septentrion is quite listenable, but there's some lustre, some spark of energy really missing from the writing here. It's harder to dig into Septentrion than any of the band's previous releases; the dirtier sound verges on languid, and even when the tempo begins to blast, the guitar leads and vocal lines sitting on top don't seem to do much more than sit. The grey feeling of the production and performances sounds almost like a botched attempt to capture a blacker grassroots feeling, but Sub Stele was much more engaging and energetic than this. Just the right twist of guitar feedback and belched growl occasionally draws The Meads Of Asphodel to my mind - but for the Meads, emptiness is the goal. On Septentrion, emptiness is a side effect.
All is not lost, though; there are a few tracks, like "Din Negru (In Mai Negru)" and "Aşteaptă-Mă Dincolo (De Moarte)," that take this bleakness to task and cut something good out of it. This album is far from a complete failure on Bucovina's part, and I suspect that most tracks are just a few tweaks away from being great singles; just some more energy in the performances and some more polish on the production would do this album good. And it seems possible to love Septentrion, given enough time and attention; after all, I found the aforementioned recent Heidevolk album nigh unlistenable at first and I've warmed to it quite a bit over time. I'm not sure I want to devote that kind of effort again, but I still wouldn't be surprised to find myself returning to Septentrion in the future despite its failings.
Rating breakdown
Performance: | 6 |
Songwriting: | 6 |
Originality: | 7 |
Production: | 6 |
| Written on 15.02.2019 by I'm the reviewer, and that means my opinion is correct. |
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