Yerûšelem - The Sublime review
Band: | Yerûšelem |
Album: | The Sublime |
Style: | Industrial metal |
Release date: | February 08, 2019 |
A review by: | RaduP |
01. The Sublime
02. Autoimmunity
03. Eternal
04. Sound Over Matter
05. Joyless
06. Triiiunity
07. Babel
08. Reverso
09. Textures Of Silence
Finally, an industrial metal album that sounds like industrial music. I just wish it didn't sound as much like Blut Aus Nord trying to write a Godflesh album.
It's no secret that Blut Aus Nord like industrial music; they've made that perfectly clear since 2003's The Work Which Transforms God basically transformed black metal into a cold machine of terror (here's an article about that). And that has been part of their music, at least on most albums, ever since; but the most striking ones were the ones in the 777 trilogy, which honestly feel like they perfected the blend of industrial and black metal, so now mastermind Vindsval has reunited with ex-member W.D. Feld to dedicate Yerû?elem to that industrial sound.
The press release obviously painted a grandiose picture in the wake of this album's announcement, giving grand expectations for it that honestly couldn't have been achieved no matter what, but at least it turned some heads in this direction. And now that we have this entire thing for ourselves to listen to, I can't really hear a lot of the influences stated in the press release, like dreamgaze or Autechre, but one of those actually hit the nail right on its head. And if you read my admittedly exaggerated intro statement, you know who that is.
The Sublime feels like another example of a great album ruined by massive expectations, so leaving aside those, how is The Sublime? Strong, pulsating, and repetitive, like all industrial music should be. More industrial than metal, but still heavy and distorted enough to be metal, it feels a lot more modern and layered than its obvious influence, but it still feels as though the songs, although short, need some place to build up to instead of droningly showcasing each layer with nothing but ambiance in mind. The ambiance is great and engaging, mind you, but it's too often that I wonder how long a particular section is going to go on for. And for minds that have proven time again that they understand how to make great industrial music, this feels odd.
This is far from a massive disappointment, though, and I don't want the general impression to be that the music is boring or not engaging, but putting The Sublime in context, it's not a debut from a promising industrial act; it's something that could have been more than just slightly being a cut above the rest.
| Written on 18.02.2019 by Doesn't matter that much to me if you agree with me, as long as you checked the album out. |
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