Augury - Fragmentary Evidence review
Band: | Augury |
Album: | Fragmentary Evidence |
Style: | Technical death metal |
Release date: | July 17, 2009 |
Guest review by: | Troy Killjoy |
01. Aetheral
02. Simian Cattle
03. Orphans Of Living
04. Jupiter To Ignite
05. Sovereigns Unknown
06. Skyless
07. Faith Puppeteers
08. Brimstone Landscapes
09. Oversee The Rebirth
Let me start by saying this is an incredibly difficult review to write. I love the Canadian death metal sound, I enjoy progressive elements in my death metal, and I appreciate an album with production values that clearly focus on preventing the bass from falling into obscurity. Fragmentary Evidence has all of these qualities, but something seems amiss. Allow me to explain.
After the release of their debut, Concealed, Canadian tech-death newcomers Augury were being compared to established outfits like Quo Vadis, Cynic, Neuraxis, and even Opeth to a lesser extent. This review is not a debate on whether or not Augury deserved such praise, though something has to be said for a band that draws such comparisons.
The only comparison I find relevant is that of the bass work on Fragmentary Evidence, which is similar to Obscura's Cosmogenesis: it's more than audible, in fact it's very high in the mix, and it is played extremely well by original member Dominic "Forest" Lapointe. And not only is the bass played well, but every instrument packs its own punch. Tracks like "Skyless" and "Orphans Of Living" are showcases for the band members' talent, especially former drummer Antoine Baril, who is incredibly varied and chooses not to rely on pure speed and aggression, but rhythm, which gives the guitars an added melody boost, not that this album lacked melody in the first place.
Moving away from instruments, let me draw your eye to the several skilled guest musicians (all of whom provide their vocal talent), ranging from Aborted frontman Sven de Caluwé ("Aetheral") to Unexpect members Syriak and Leilindel ("Sovereigns Unknown", "Brimstone Landscapes"). All of the guests provide their own style, and accordingly, each song they appear on is vastly different from the rest. Remembering what I said about Lapointe and Baril, this album is taken care of technically, but there is a major problem once the entire album has played out. With each song sounding so different, it creates a weak point in the album, as it seems to be diluted in terms of its concept. To elaborate, this album is presented as if displaying 9 individual tracks on their own, something normally reserved for a compilation album, where the 9 tracks would be the best 9 songs released over the course of a few albums. An album requires flow, a beginning, middle, and end, much like your average essay. Unfortunately, Fragmentary Evidence comes across as a jumpy piece with masterful moments.
This isn't necessarily a sophomore slump, as it contains some of the strongest songs composed by the band; however, these songs should have been divided over different albums altogether. Perhaps the guest vocalists felt compelled to add their own touches to their feature tracks. Perhaps the original band members began writing without a sense of direction. Whichever the cause, Fragmentary Evidence is but a shadow of the band's debut success.
Rating breakdown
Performance: | 10 |
Songwriting: | 9 |
Originality: | 9 |
Production: | 9 |
Written by Troy Killjoy | 15.02.2010
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
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