Whyzdom - Symphony For A Hopeless God review
Band: | Whyzdom |
Album: | Symphony For A Hopeless God |
Style: | Symphonic metal |
Release date: | February 17, 2015 |
A review by: | Ag Fox |
01. While The Witches Burn
02. Tears Of A Hopeless God
03. Let's Play With Fire
04. Eve's Last Daughter
05. Don't Try To Blind Me
06. The Mask
07. Asylum Of Eden
08. Waking Up The Titans
09. Theory Of Life
10. Where Are The Angels
11. Pandora's Tears
A new symphonic metal album! Hooray! *waits for the audience to leave, apart from the remaining 5 fans of the genre in this site* Sometimes, I can't help but speculate how many fans of the genre are there left who are still around, and it's hard to blame them for being fickle, as the genre has been stagnating since many years ago, especially when you compare other "new frontiers" in metal which have seen their popularity and creativity rise at exponential levels.
What we have here is a bit different though. Since their debut back in 2009, I've been following the progress of Whyzdom, and with Symphony For A Hopeless God already being their third album, they're no longer the young and inexperienced creative artists, which means there are certain expectations to be met. Oh, for those who aren't familiar with this symphonic metal outfit from France, I haven't even mentioned that each of their previous full lengths have had the prestige of being a Metal Storm Awards nominee.
Now that I've (hopefully) drawn you in, I need to state the obvious problem. Marie Rouyer is already the band's fourth vocalist, and each time a band experiences a change in a key member, it's easy to have doubts. The best way to describe her vocal work here is "varied", and for this reason alone, I can say that it has elevated Whyzdom's new album from "nice but ultimately kind of forgettable" to "memorable". I can imagine fans being divided on this, because in quite a few instances, Marie's voice sounds rather forced, and the rough edges could do with a bit more polish. However, the merits of the new vocals became more apparent to me after re-listening to their previous album. What Marie brings to the table is a really varied timbre, ranging from normal singing, to operatic ones, and more powerful rock vocals, and it's this variation, coupled with perhaps better melodies that makes this album stick in the mind.
It's unfair for me to just focus on the vocalist of course, but the truth is that she really stole the show, and the rest of the band did a great job in complementing her in terms of composing good melodies, the fine orchestral arrangements that actually add value to the music, and performing as professionals should.
So? have my expectations been met? You bet, but in an unexpected manner. The vocals may be down to personal preference, and while it's lacking in finesse compared to the more established names in this sub-genre of music, she sounds positively striking. Whyzdom has never been a band which makes poppy-sounding compositions, and it's no different here, but the addition of Marie has given them a new weapon in their arsenal to display a rawer edge to their music, and subsequently standout among the sea of me-too bands.
Rating breakdown
Performance: | 8 |
Songwriting: | 8 |
Originality: | 7 |
Production: | 8 |
| Written on 29.03.2015 by Ag Fox loves listening to music but is far from being a prolific writer. This corner just shows how territorial he is. |
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