Introspekrieg Totemic Lust ElitePosts: 2749 |
03.04.2012 - 09:57Rating: 10
The lack of bombast is exactly what I love about OSI, there is an ambient quality. Their choices in sounds and segments seem to have an overall fluid balance to each album, sometimes dynamics can play a crucial role in the listener's experience. Great review though, I appreciate the good rating too... (although numbers compared to words mean nothing)
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Doc G. Full Grown Hoser StaffPosts: 9718 |
03.04.2012 - 09:59Rating: 8
Doc G.Full Grown HoserStaffPosts: 9718
Written by Introspekrieg on 03.04.2012 at 09:57
The lack of bombast is exactly what I love about OSI, there is an ambient quality. Their choices in sounds and segments seem to have an overall fluid balance to each album, sometimes dynamics can play a crucial role in the listener's experience. Great review though, I appreciate the good rating too... (although numbers compared to words mean nothing)
I probably should have mentioned that, I didn't get a sense of ambiance where I felt the bombast was lacking.
Eye of the beholder I guess.
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"I got a lot of really good ideas, problem is, most of them suck."
- George Carlin
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Milena gloom cookie StaffPosts: 4603 |
03.04.2012 - 10:17Rating: 9
Milenagloom cookieStaffPosts: 4603
Couldn't have been more right about the "dream team", I don't think there is a prog fan who doesn't shiver with excitement on the thought of Kevin Moore collaborating with Jim Matheos (you can't get any better than that really) on something that has become more than just a "project", a "thing". I guess the fact you like this album speaks for itself, this is a really good release that transcends genre boundaries and can appeal to a lot of people. Nice job on the interview too.
A little thought on the Arch/Matheos thing - although most people, me included, would disagree that the level of meandering was on par with younger prog bands who have not grasped the concept of subtlety, it still didn't magically and fully unfold itself for me during the first or the second listen like most of prog albums do, and it had to do with John Arch's vocals, which are way too heavy on top of the whole thing and which need a lot of getting used to. For me they changed the "taste" of the whole album, and other folks had other problems with the album - the fact we didn't choose it for a nomination despite all of us listening to it says something. So it's not like you're alone in your opinion
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7.0 means the album is good
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Ivor StaffPosts: 5492 |
IvorStaffPosts: 5492
This OSI album is captivating. I loved the first one although it took me a while to appreciate it, but it was totally worth it. 2nd and 3rd have largely passed me by. This one, however, clicked on the first listen. The contrast of heavy riffs and the ambient electronic background works wonders. And Moore's voice, suites it. Not sure what would be the result with harsh vocals. Can't picture it, to be honest. Not I think I would particularly like it, was it the case.
And btw, I'm with you on Arch/Matheos - absolutely fail to see what's so special about and why people like it.
I.
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Troy Killjoy perfunctionist StaffPosts: 21306 |
This review is far too short for a prog album. Milena's response was 3/4 of what you said!
(Just to clarify, this is a dig at prog, not the review.)
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"Wise men talk because they have something to say; fools because they have to say something."
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tea[m]ster Au Pays Natal ContributorPosts: 5266 |
04.04.2012 - 00:55Rating: 7
Doc, is this the first OSI album you've listened to? Every album of theirs the vocals are calm and serene and mostly take a back seat to the music. The electronics and samples and the way Jim records his guitars have always been A and 1A of importance in producing OSI's unique sound.
Nice job with the review even tho I'd like to see a prog-metal fan review it too. Get both ends of the spectrum.
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Introspekrieg Totemic Lust ElitePosts: 2749 |
04.04.2012 - 01:46Rating: 10
Written by tea[m]ster on 04.04.2012 at 00:55
Nice job with the review even tho I'd like to see a prog-metal fan review it too. Get both ends of the spectrum.
I think he did a pretty good job of reviewing it, wrote exactly how he heard it. A prog-metal fanboy (like me) probably wouldn't have the distinct clarity of a fresh introduction to the band.
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strade
Posts: 677 |
Holy shit, how did I miss this? I had no idea a new OSI album was coming out. Will be listening to this ASAP.
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My lo-fi synth project: http://luciddreamer.bandcamp.com
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tea[m]ster Au Pays Natal ContributorPosts: 5266 |
04.04.2012 - 03:29Rating: 7
Written by Introspekrieg on 04.04.2012 at 01:46
A prog-metal fanboy (like me)
And me.
I would like to see a review from you or Mora too.
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Merchant of Doom
Posts: 702 |
Same old shit...
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Spirit Molecule spirit molecule
Posts: 1918 |
Still haven't checked the album out, the pre order sold out before I could get it :/ Anyway will check it out soon.
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Milena gloom cookie StaffPosts: 4603 |
04.04.2012 - 13:35Rating: 9
Milenagloom cookieStaffPosts: 4603
Written by Troy Killjoy on 03.04.2012 at 23:04
This review is far too short for a prog album. Milena's response was 3/4 of what you said!
(Just to clarify, this is a dig at prog, not the review.)
More than half of it was about that Arch/Matheos album he mentioned
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7.0 means the album is good
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BloodTears ANA-thema ElitePosts: 11835 |
04.04.2012 - 20:20Rating: 8
I'm enjoying the album thoroughly. I was scared it would disappoint me but no, everything I liked in them is still there. It's just such a great combination, the electronic/keyboards side and the heavy guitars which fit just right.
I quite like Moore's vocals as well, they are what they are. It's almost withholding and refrained, but I can see why some people would dislike it.
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JohnDoe Account deleted |
JohnDoe Account deleted
Nice review from Doc, did not expect him to give this band a listen, no offense
I love this album; I heard an on line interview with Kevin who said they would like to go on tour, now that would be awesome.
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Milena gloom cookie StaffPosts: 4603 |
04.04.2012 - 22:31Rating: 9
Milenagloom cookieStaffPosts: 4603
Written by BloodTears on 04.04.2012 at 20:20
I quite like Moore's vocals as well, they are what they are. It's almost withholding and refrained, but I can see why some people would dislike it.
I remember hearing the demo of "Space Dye Vest" with Kevin's vocals laid down in a similar fashion a couple of years ago and thinking "boy, I want an album full of this". And then I found out about the existence of OSI
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7.0 means the album is good
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tea[m]ster Au Pays Natal ContributorPosts: 5266 |
04.04.2012 - 23:36Rating: 7
Written by [user id=17278] on 04.04.2012 at 20:31
I love this album; I heard an on line interview with Kevin who said they would like to go on tour, now that would be awesome.
Don't know how Jim Matheos does it. His plate is always full!
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Milena gloom cookie StaffPosts: 4603 |
05.04.2012 - 00:11Rating: 9
Milenagloom cookieStaffPosts: 4603
Written by tea[m]ster on 04.04.2012 at 23:36
Don't know how Jim Matheos does it. His plate is always full!
Let's ask Dan Swanö
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7.0 means the album is good
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BloodTears ANA-thema ElitePosts: 11835 |
05.04.2012 - 22:06Rating: 8
Written by Milena on 04.04.2012 at 22:31
Written by BloodTears on 04.04.2012 at 20:20
I quite like Moore's vocals as well, they are what they are. It's almost withholding and refrained, but I can see why some people would dislike it.
I remember hearing the demo of "Space Dye Vest" with Kevin's vocals laid down in a similar fashion a couple of years ago and thinking "boy, I want an album full of this". And then I found out about the existence of OSI
It's a shame DT never play that song live since it's Kevin's song. I would love to see that live. Did you listen to OSI's previous albums? They are definitely worth it.
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Milena gloom cookie StaffPosts: 4603 |
05.04.2012 - 22:43Rating: 9
Milenagloom cookieStaffPosts: 4603
Written by BloodTears on 05.04.2012 at 22:06
It's a shame DT never play that song live since it's Kevin's song. I would love to see that live. Did you listen to OSI's previous albums? They are definitely worth it.
Rudess and LaBrie play it sometimes, but that's not the same.
Yes, I have, I have listened to the first one, which is excellent, and sampled a bit of the middle ones.
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7.0 means the album is good
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Marcel Hubregtse Grumpy Old Fuck ElitePosts: 40071 |
I liked their first couple so I thought I'd give this a try... but this is immensely boring. Arch?matheos though not brilliant still pisses all over this monstrosity of eeak boringness.
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Member of the true crusade against European Flower Metal
Yesterday is dead and gone, tomorrow is out of sight
Dawn Crosby (r.i.p.)
05.04.1963 - 15.12.1996
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JohnDoe Account deleted |
JohnDoe Account deleted
Written by Marcel Hubregtse on 05.04.2012 at 22:47
I liked their first couple so I thought I'd give this a try... but this is immensely boring. Arch?matheos though not brilliant still pisses all over this monstrosity of eeak boringness.
Well, I'm not surprised you don't like it.
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Milena gloom cookie StaffPosts: 4603 |
20.04.2012 - 11:32Rating: 9
Milenagloom cookieStaffPosts: 4603
Written by BloodTears on 05.04.2012 at 22:06
It's a shame DT never play that song live since it's Kevin's song. I would love to see that live.
Btw, when I said it's not the same, I didn't mean I don't want to hear Rudess playing it... I listened to their live version on youtube and the quality of the video doesn't do it justice at all, but what sucked to me while watching that video were the people's comments. Since there weren't any samples and since there weren't any other instruments but piano and voice, and the song relies on that to create variety, Rudess had to improvise around it a little bit, and it generated all the usual "Rudess sucks, Moore was king" comments. I wouldn't have a problem with that if all those people weren't around my age, which means they were toddlers while Moore was playing in DT. They just adopted someone else's opinion.
I mean, sure, Moore was/is great at creating atmospheres, he went to play ambient music after DT after all. But hating Jordan just because he has a different style, and blaming him for Dream Theater's change in direction isn't a nice thing. People forget that DT used to shit brilliance during the 90's, and on songs that Moore had nothing to do with too.
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7.0 means the album is good
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BloodTears ANA-thema ElitePosts: 11835 |
20.04.2012 - 20:53Rating: 8
Written by Milena on 20.04.2012 at 11:32
Btw, when I said it's not the same, I didn't mean I don't want to hear Rudess playing it... I listened to their live version on youtube and the quality of the video doesn't do it justice at all, but what sucked to me while watching that video were the people's comments. Since there weren't any samples and since there weren't any other instruments but piano and voice, and the song relies on that to create variety, Rudess had to improvise around it a little bit, and it generated all the usual "Rudess sucks, Moore was king" comments. I wouldn't have a problem with that if all those people weren't around my age, which means they were toddlers while Moore was playing in DT. They just adopted someone else's opinion.
I mean, sure, Moore was/is great at creating atmospheres, he went to play ambient music after DT after all. But hating Jordan just because he has a different style, and blaming him for Dream Theater's change in direction isn't a nice thing. People forget that DT used to shit brilliance during the 90's, and on songs that Moore had nothing to do with too.
Rudess enjoys doing these long improv things with every song he plays. He has a version of Porcupine Tree's "Lazarus" with Steven Wilson (I suggest it on YT), where that actually works. Sometimes it's a matter of taste but I don't necessarily blame him for the lame road DT is taking. It's a collective effort although I do think sometimes the keyboards get in there just for the sake of being in there instead of having a point. But for younger people who only know DT's latest albums, think "Octavarium" and see what a good job Rudess did there.
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Milena gloom cookie StaffPosts: 4603 |
20.04.2012 - 21:03Rating: 9
Milenagloom cookieStaffPosts: 4603
Written by BloodTears on 20.04.2012 at 20:53
It's a collective effort although I do think sometimes the keyboards get in there just for the sake of being in there instead of having a point. But for younger people who only know DT's latest albums, think "Octavarium" and see what a good job Rudess did there.
Yeah, it's... it's his style. He's that big scale prog rock player I guess. I don't always like it, I used to dislike it pretty much before I got more seriously into DT, but when he's good, he's "Blind Faith"-good. It's a question of whether or not Moore or Sherinian would fit into today's DT anyway, but I'm happy with having the best of Moore in OSI now... I'll probably seek out Chroma Key as well, some of the tracks I've sampled sound quite nice. Moore-ish.
But Jordan is probably the most likeable as a person out of all three DT keyboard players, so that's a huge plus for him.
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7.0 means the album is good
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