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1.
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Natalia Lafourcade - De todas las flores (Singer-Songwriter/Chamber Folk/Vocal Jazz/Jazz-Pop. What a triumph: after an album series of traditional Latin American songs, Lafourcade returns to original material with newfound gravity and maturity. Her previous art pop and indie folk albums were pretty, but slightly twee and insubstantial. This time the material is great throughout, the production quality is immaculate, and the vocals could rival any samba and bossa nova legends. Some of the songs might well be vocal jazz standards from the 50s and 60s, but they don't sound retro - just timeless. I've seen a strangely apt and positive comparison to Norah Jones, too, but the interweaving of gentle vocal melodies and sparse instrumentation (on tracks like Pajarito colibrí especially) remind me of Ichiko Aoba's chamber folk. The flavor is different, but the appreciation of purity and simplicity is the same. A massive high point in Lafourcade's great career. Highlights: Pajarito colibrí, Canta la arena. 4,5/5.) |
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2.
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Richard Dawson - The Ruby Cord (Avant-Folk/Progressive Folk. [Insert review, but AOTY potential.]) |
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3.
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tricot - 不出来 (Fudeki) (Math Rock/J-Rock. This has some of tricot's most daring and harsh math rock moments, even moments of noise rock, and they're glorious. On the other hand, it's got a few plodding, mediocre cuts like Crumb. This does not feel quite as cohesively ambitious as Jodeki, or as tight their perfect debut, but it's an exciting addition to a super consistent run: seven great albums in ten years. Highlights are like half the album: エンドロールに間に合うように (End roll), アンドロイド (Android), アクアリウム (Aquarium), 不出来 (Fudeki), #アチョイ (#Achoi). 4/5.) |
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4.
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Park Jiha - The Gleam (Post-Minimalism/Korean Avant-Folk. Stark, spacious and serene instrumental solo effort that sounds like light and silence. She's an impressive multi-instrumentalist: piri, saenghwang, yanggeum and glockenspiel. Before just now, I didn't know what half of those looked like. Although it's much more ambient, the music evokes a similar happiness and calm that Talk Talk or Ichiko Aoba do. Not as jazzy as Communion, and maybe lacking the lighlight of the debut's title track, but more consistent overall. Highlights: A Day In..., Night Dancer. 4/5.) |
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5.
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Pintandwefall - Seventh Baby (Garage Rock/Indie Pop. Pintandwefall have gone from devil-may-care garage pop-punk through synth-tinged art pop to mature, fuzzy guitar rock in their last few albums. This album is not a major departure, but it is pretty eclectic. Sometimes it's bluesy, sometimes shoegazey, sometimes even post-punk. The four women all write songs, sing and switch instruments, and their collaborative glee and different voices and musical approaches give the band an unmistakable personality through these shifts. A delightful ride with plenty of favorites to pick from. Of their seven (very good) LPs, I'd rank this comfortably in the smack middle. Highlights: Aihai, Clues, Mostly Me. 4/5.) |
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6.
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Silvana Estrada - Marchita (Chamber Folk/Singer-Songwriter. Melancholy Latin American folk, where raw emotion contrasts with delicate arrangements of woodwinds, strings, etc. The songs have a solid, straightforward girl-and-guitar foundation, but the chamber folk approach elevates the album to greatness. Necessarily reminiscent of Natalia Lafourcade's solo sound, but darker and more grounded. Some of the guitar picking sounds like Leonard Cohen's debut, or like Avalanche. Highlights: La Corriente, Un Día Cualquiera, Marchita. 4/5.) |
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7.
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Jenny Hval - Classic Objects (Art Pop. Maybe Hval at her simplest. The album is largely driven by (very good) vocal melodies. The arrangements are understated and unadventurous, which is unusual for her but works. Hval's chilly tone is nicely complemented by a cold synth sound. Probably ranks in her top three, with Innocence is Kinky and The Practice of Love. Highlights: Year of Love, American Coffee, Jupiter. 4/5.) |
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8.
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Broadcast - Maida Vale Sessions (Neo-Psychedelia. An archival compilation of live sessions, mostly from John Peel's studio. Some alternate takes on familiar favorites, some rarities, all of them excellent performances that add real value to Broadcast's catalogue. Knowing we'll never get really new material from them makes this a bittersweet experience, though. Highlights: Echo's Answer, Sixty Forty (Nico cover). 4/5.) |
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9.
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Ashenspire - Hostile Architecture (Avant-Garde Metal. 4/5.) |
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10.
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Black Country, New Road - Ants From Up There (Art Rock/Post-Rock. 4/5.) |
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11.
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Messa - Close (Doom Metal. This ticks so many boxes that tickle me fancy. Some of the best vocals in modern metal, not a bit affected. Nice blend of traditional, even epic doom (both in terms of riffs and vocal inflections) and modern, darker takes like SubRosa or Menace Ruine, with fancy middle eastern flourishes. Unbelievably, despite the hodge-podge of influences, it doesn't sound derivative. Highlights: Orphalese, Pilgrim, Serving Him. 4/5.) |
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12.
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Codeine - Dessau (Slowcore. An unreleased and forgotten recording of what was supposed to be Codeine's sophomore album, now restored. Some of the songs were re-recorded for The White Birch, others have surfaced elsewhere, but it works really well as an album and often sounds better than other versions. No one did skeletal, glacial and bleak quite like Codeine, and while they never really got the chance to evolve like Low or even Red House Painters, they are masters of their niche for when you really want a downer. Highlights: Jr, Smoking Room, Sea. 4/5.) |
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13.
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Perfume - PLASMA (J-Pop. 3,5/5.) |
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14.
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Asagaya Romantics - 大人幻想 (Otona gensō) (Jazz Pop. Sunny, unapologetically retro jazz pop. There are city pop, sophistipop and funk flourishes, but it is ultimately closer to Yumi Arai's wide-eyed, Ghibliesque 70s stuff. Jam-packed with good vibes and consistent enough not to suggest obvious highlights. Just start with the first track. 3,5/5.) |
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15.
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Regina Spektor - Home, Before and After (Singer-Songwriter/Baroque Pop. Regina has been a bit of a celebrity crush for me ever since high school, and her new albums are always a welcome event. Despite some stylistic missteps, there's always enough great songwriting worth your while. Especially so here: the songs are really good, but the arrangements are too bombastic, verging on schmalzy with big strings and brass. Can't really blame her for ever following trends or trying to be cool, I guess. The reissue of the fantastic debut 11:11 with some bootlegs offers a sharp contrast to what she's become, for better and worse: losing whimsy and joyous unpredictability for poise, fullness and a fantastic control of her voice. The best songs on Home are actually old songs, though: Loveology is easily among her best. Highlights: Loveology, Raindrops. 3,5/5.) |
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16.
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Carly Rae Jepsen - The Loneliest Time (Dance-Pop. Carly keeps churning out consistent bops like clockwork. Fun, glittering pop with a retro edge and a knack for melodies. She never reached quite the level of Emotion/Emotion Side B again, but it's hard to criticize her later albums except maybe for being unsurprising. This is maybe her least consistent since Kiss, with some outright duds, but I'd still pick several tracks for a best-of playlist. Highlights: Surrender My Heart, Talking to Yourself, Anxious, Bad Thing Twice. 3,5/5.) |
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17.
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Litku Klemetti - Asiatonta oleskelua (Indie/Prog-Pop/Schlager. Klemetti at her sincerest and least playful, although this has some cheesy 70s adult contemporary vibes that are pretty hilarious. Plenty of schmalzy horns, sticky sweet guitars, tinkling piano. I saw a comparison to The Carpenters somewhere. I just don't think the songs are as exciting, fun and memorable as on her best albums - it's tied with the last one as her least impressive. Here the faster cuts are definitely the best, like the funky horns on Tuuliajolla PikAteriassa. One of the most recognizable writers of vocal melodies in modern music, though, and there are some really satisfying passages here. Highlights: Tähtijengi, Tuuliajolla PikAteriassa, Kalajuttu, Soita, Sanna! 3,5/5.) |
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18.
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Weyes Blood - And in the Darkness, Hearts Aglow (Baroque Pop. 3,5/5.) |
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19.
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Big Thief - Dragon New Warm Mountain I Believe in You (Indie Folk. 3,5/5.) |
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20.
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M - Lauluja 60-luvulta (Jazz-Pop/Schlager. As the title laconically states, these are Finnish popular songs from the 60s, originally performed by many of Finland's greatest schlager singers. The German term is a little misleading; especially in these stripped-down, jazzy arrangements, a good comparison might be 60s French chansons. M's (Minja Koski's) ethereal, child-like vocals are a little affected, but many of her interpretations are good, and especially the instrumental arrangements are spot-on, lacking any schmalzy or bombastic of some of the originals. Highlights: Maailmain, Ne kesäyöt, Älä kiiruhda, Niin aikaisin (though it can't improve on Anki's heavenly original). 3,5/5.) |
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21.
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King Hannah - I'm Not Sorry, I Was Just Being Me (Alt-Rock. Fantastic collection of creeping, lurching and laconically-sexy rock with some blues, slacker and alt-country flavor and, surprisingly, moments of trip-hop (Foolius Caesar could be a Portishead cover). Early PJ Harvey is an obvious reference point, but King Hannah's not as abrasive. At first it seemed a bit derivative and samey, but the songwriting has really grown on me. Highlights: A Well-Made Woman, All Being Fine, 3,5/5.) |
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22.
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Honey Harper - Honey Harper & The Infinite Sky (Alt-Country. Where Honey Harper's debut was a lush and dreamy take on americana, this album is more energetic and country rock, with some interesting twists like the disco of Boots Mine Gold. The crossover appeal and wry flirtation with both the cheesiest mainstream country and retro pop reminds me of a male Kacey Musgraves. His voice is great and the songs are catchy. I think I slightly prefer the debut. Highlights: Boots Mine Gold, Crystal Light, Hard To Make a Living. 3,5/5.) |
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23.
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Cécile McLorin Salvant - Ghost Song (Vocal Jazz. This is a rarity: a thoroughly modern take at vocal jazz that still obviously a part of the tradition. Instead of standards, there are some inventive covers of pop songs (Sting, Kate Bush etc.) rendered barely recognizable, and original material. Really great singer with range from dark and bluesy to satin smooth to bright and playful. Solid songwriting and arrangements too. Highlights: Ghost Song, Moon Song. 3,5/5.) |
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24.
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Duster - Together (Slowcore. This is a real throwback to the mid-90s. Buzzing, chilled and spacey slowcore, very much in the vein of Codeine but a bit richer, like a softer Hum or a more conventional Bark Psychosis. To me, Duster were always kind of a second-tier band among their contemporaries, but it's a solid album that does the job of a soft comfort blanket. Highlights: Time Glitch, Teeth. 3,5/5.) |
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25.
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YAYA KIM - a.k.a YAYA (Lounge/Jazz Pop/Art Rock. A three-disc behemoth of smoky, sexy art pop/rock with some heavy 90s trip hop and alt-rock sounds (especially on the first disc), tango (on the second disc), and dramatic string arrangements. It's a wild, if exhausting, ride that's best listened to one disc at a time. The first disc is a bit too trashy and heavy-handed for my tastes, but second and third are great. 3,5/5.) |
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26.
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dynastic - I Know There's Something Left for You (Emo/Hyperpop. Or maybe "hyper-rock": emo pop anthems drenched in noisy electronics. This is like the emo and pop punk influences of 100 gecs (think the Hand Crushed by a Mallet remix with Fall Out Boy) distilled into fun, catchy songwriting with rock sensibilities. A bit too long. Highlights: FTL, Lake City Quiet Pills, Clout Dracula. 3,5/5.) |
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27.
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Shoebill - Hikikomori Days (Mashcore. Which basically means breakcore mashups of pop samples. It's a hilarious, hyper-energetic, sped-up grab bag of the silliest pop kitsch. There's Aqua, Wheatus, B*Witched, Sugababes, Baha Men, and I imagine some anime theme songs I don't recognize. By the end of the 67-minute runtime, its impact has worn thin, but in shorter curated bursts, it's some of the best party music out there. Highlights: Dancecore Dirtbag, Shitcorebabes, Four Eighteen. 3,5/5.) |
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28.
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Spacemoth - No Past No Future (Synthpop/Neo-Psychedelia. Album opens really strong with a one-two punch of Broadcast and Stereolab worship, with those pulsating synths and wide-eyed wonder. The rest of the material goes in slightly different directions of psychedelic pop, some of it mediocre and some really good. Highlights: This Shit, Pipe and Pistol. 3,5/5.) |
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29.
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Jyocho - しあわせになるから、なろうよ (Shiawase ni naru kara, narō yo) (Math Rock. Jyocho adopt, adapt and subert genre expectations in ways that sound both familiar and fresh. This is basically chill(!) math-rock, or mathy post-rock, married to pretty j-rock or emo melodies. It's a bit like Tricot's calmer moments, but Jyocho go for the pretty and shimmering rather than the infectious and groovy. The album is thoroughly sunny, beautiful and feel-good. It's maybe a bit too chill and even; it could do with some sharp edges to to keep it interesting (even if it's only 24 minutes). Still, nobody sounds quite like them, and few sound quite this pretty. Highlights: All the Same, The End of Sorrow. 3,5/5.) |
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30.
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Les Rallizes Dénudés - The OZ Tapes (Psychedelic Rock. This release of a 1973 studio live session is probably as close as we'll get to a "proper" album from this elusive Japanese band active from the 60s to the 90s. Laid back, buzzing and droning psych rock that owes a lot of The Velvet Underground and probably, to some extent, influenced Fishmans. A bit of a mixed bag, honestly, but the best tracks are really good and the rest is OK. Highlights: White Awakening, Memory is Far Away, A Shadow on Our Joy. 3,5/5.) |
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31.
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Freundliche Kreisel - Freundliche Kreisel (Avant-Folk. Experimental electro-acoustic freak folk with naive and deadpan vocals, half-spoken and half-sung, and really rich and layered arrangements and ambient passages. I hear everything from Islaja/Paavoharju to Nico to primitive ambient. A very particular atmosphere that evokes German forests and folklore. Needs to be played as a whole. 3/5.) |
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32.
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Ethel Cain - Preacher's Daughter (Singer-Songwriter. A fairly eclectic collection of songs ranging from homely americana to fuzzy dirges in the vein of Sharon van Etten or Emma Ruth Rundle, some Lana Del Rey-esque alt-pop ballads and even Midwife-type slowcore. Despite the stylistic variation, the album maintains a sulky mood throughout (and there's a narrative to the lyrics too, I guess). It's too long and uneven, sure, but there are plenty of majestic moments to keep coming back to. Highlights: A House in Nebraska, Western Nights, Hard Times. 3/5.) |
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33.
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Yuga - 言葉のない夜に (Kotoba no nai yoru ni) (Singer-songwriter. A little bit of indie folk, americana and art pop, and occasional jazzy sophisti-pop. Ethereal and moody, a bit like Tokyo's answer to Lana Del Rey and Ethel Cain, with hints of Norah Jones. Nice variety and immediately memorable melodies, although her style seems a bit derivative. Highlights: 灯火, 夏の窓, Loose. 3/5.) |
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34.
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Melody's Echo Chamber - Emotional Eternal (Neo-Psychedelia. Swirling and charming French psychedelic dream pop with some chanson influence (Hardy et al.). A good companion to the Broadcast and Spacemoth albums for more of that psychedelic aesthetic, but much dreamier and flimsier. 3/5.) |
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35.
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Björk - Fossora (Art Pop/Electronica. A pretty solid Björk album with interesting production and a nice variety of sounds. Personally when I get in the mood for Björk, though, I invariably just go back to Homogenic or Vespertine, both of which strike a perfect balance between the experimental and the emotionally effective. There are memorable moments here, but most of it veers too close to the side of cerebral. I don't want to say "too experimental", but maybe "too dry." Highlight: Fungal City. 3/5.) |
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36.
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Wednesday Campanella - Neon (J-Pop/EDM. With a new singer, they're looking to get their bearings. Less hip hop, more straightforward electropop anthems with some pretty simplistic and outdated electronic sounds. The songs aren't necessarily as polished or complete as I'd like, many of them riding a single hook, but those hooks tend to be really nice. Short and sweet slice of upbeat j-pop. Highlights: Buckingham, Himiko. 3/5.) |
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37.
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Ian Noe - River Fools & Mountain Saints (Country. Some good old-fashioned country. First half rocks more, but I really like the melancholy quieter songs towards the end, reminiscent of maybe Townes van Zandt. Ends on a really strong run. Highlights: Burning Down the Prairie, Appalachia Haze, Road May Flood / It's a Heartache. 3/5.) |
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38.
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The Gathering - Beautiful Distortion (Art Rock. A very pretty album, and Silje's vocals are a beautiful as ever. However, for an album so long in the making, from a band who always pushed the envelope, this feels curiously dated and unambitious. It has this 00s sleek art rock sound that just feels out of step, like nothing happened in the last 10 years. Better than The West Pole, but not as good as Disclosure. Highlight: Grounded. 3/5.) |
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39.
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40 Watt Sun - Perfect Light (Slowcore. Well, it doesn't really sound like classic slowcore, but I guess the tag caught on so whatever. On paper, I should love this album. I like meandering, semi-acoustic songs, I love Warnings' melancholy vocal melodies, and this is nicely produced. But I can't help feeling Walker is treading the same ground, and the songs are a bit... boring. Plenty of individual melodies and passages that are great, but the songs don't really build up, it all has a similar intensity, and it's simply too long. Highlight: The Spaces in Between. 3/5.) |
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40.
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IKARUS - Plasma (Zeuhl/Post-Minimalism. Fascinating and new-agey jazz/zeuhl that relies on vocals as an instrument - reminds me of Philip Glass's Einstein on the Beach, only accessible and actually groovy. With nothing but piano, bass and percussions to ground the vocals, they're like a chamber music take on Magma. Or one more comparison: the last track actually sounds like one of Stereolab's more experimental songs. Highlights: Eh, it all flows together well, but Tritium and Altaelva bookend the album nicely. 3/5.) |
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41.
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First Aid Kit - Palomino (Folk Pop/Americana. Nice, sunny folk pop that goes lighter on the country influence this time around, and instead opts for big, 70s-inspired soft-rock string arrangements. The sisters have wonderful vocal harmonies, as always. Highlights: Out of My Head, A Feeling That Never Came. 3/5.) |
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42.
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Katy J Pearson - Sound of the Morning (Singer-Songwriter/Indie Pop/Chamber Pop/Americana. Wonderfully retro hodge-podge of influences, with plenty of infectious feel-good melodies. There's some Dolly Parton (Sound of the Morning), Stevie Nicks (Game of Cards) and maybe late career The Cardigans. Uneven, but plenty of juicy cuts. Highlights: Howl, Talk over Town. 3/5.) |
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43.
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Rovski - La proie est reine (Art Pop/Chamber Pop. Two sisters who make some hypnotic, bouncy art pop that combines minimal electronics with acoustic instruments like the violin and folky vocal styles and melodies. They cite CocoRosie as an influence, but I also hear something like Klô Pelgag and traditional French chansons. 3/5.) |
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44.
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Dai Dai Dai - Maybe Perfect (Glitch Pop. High octane j-pop squashed through an industrial filter makes for a disturbing and exciting crossover that feels entirely natural. Could be Japan's answer to bubblegum bass. The album is very hit-and-miss, hough: literally every second track is a hit, and the rest not so much. For a 6-track, 30 minute album, this is unfortunate. (There is a side B available on Bandcamp with somewhat different versions of the songs and the tracklist reversed. Weird, but doesn't change the aforementioned. After one spin, I went back to the Spotify version.) Their style is great, as are the best songs. Highlights: Throbbing, Lase, Object. 3/5.) |
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45.
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Eight Bells - Legacy Of Ruin (Post-Metal/Doom. I loved the debut's bewildering mix of math rock, black metal, noise rock, post-rock and occult psychedelia. On their third album. Eight Bells are less weird and more doomy and post-metal (think Sólstafir maybe). Cool sound, but could have maybe cut a track (The Crone feels out of place). Highlight: Nadir. 3/5.) |
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46.
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Foxtails - Fawn (Screamo/Post-Hardcore/Post-Rock. Nice energetic screamo with male and female vocals, violin and an overall warm, inviting sound. Highlighs: Dunno, the first track Ego Death is pretty representative. 3/5.) |
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47.
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Katarina Gryvul - Tysha (Glitch/Electroacoustic Avant-Folk. Ukrainian-born violinist/composer/producer who makes very intricate soundscapes that shift between cold post-industrial and organic sounds, with dramatic layered vocals reminiscent of Julianna Barwick without the sugar. A familiar comparison might be Björk at her most experimental. The highlight here is the high-quality production and arrangement: there's so much detail and texture to enjoy. Songwriting isn't quite there. 3/5.) |
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48.
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Sur-rur - Entisyydestämmekinköhän (Indie rock. Fuzzy and laid-back rock in the spirit of Sonic Youth, Hüsker Dü etc. One of the cornerstones of Finland's indie scene, they've been at it for over 25 years. This time they experiment with long shoegazy jams, which sounds okay, but the album is too long and the best songs are straightforward energetic bops. Highlights: Negatiiviset uut, Tuhnu. 3/5.) |
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49.
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Rina Sawamaya - Hold the Girl (Pop. A mixed bag of cheesy pop-rock, mediocre singer-songwriter stuff, Whitney Houston-esque power ballads, and a few dance pop bangers. Disappointing overall, after her fantastic previous showings, but there's a very good EP buried here. Namely, the highlights: Hold The Girl, Love (Til You Let Me Go), Your Age, Imagining, Frankenstein. I'd easily rank that shortlist 3,5 but as a whole it's 2,5/5.) |
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50.
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51.
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caroline - Caroline (Post-Rock.) |
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52.
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Voision Xi - Lost For Words (Jazz Pop.) |
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53.
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Anna Von Hausswolff - Live At Montreux Jazz Festival (Neoclassical Darkwave.) |
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54.
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Mioko Yamaguchi - Fairythm (Art Pop/Ambient Pop.) |
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55.
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Cult Of Luna - The Long Road North (Atmospheric Sludge.) |
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56.
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Parannoul - White Ceiling / Black Dots Wandering Around (Shoegaze/Emo/Noise Pop.) |
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57.
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Shape Of Despair - Return To The Void (Funeral Doom.) |
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58.
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Lilien Rosarian - Every Flower in My Garden (Ambient/Sound Collage/Tape Music.) |
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59.
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Sadness (USA) - Tortuga (Shoegaze/Blackgaze.) |
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60.
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Della Zyr - 비타민과 우려 Vitamins and Apprehension (Shoegaze/Dream Pop.) |
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61.
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Death Insurance - I'm In Your Walls (Digital Hardcore.) |
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62.
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Gospel - The Loser (Post-Hardcore.) |
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63.
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64.
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black midi - Hellfire (Avant-Prog.) |
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65.
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Aspidistrafly - Altar of Dreams (Ambient Pop.) |
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66.
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Blanche Blanche Blance - Fiscal, Remote, Distilled (Progressive Jazz Pop.) |
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67.
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Alaíde Costa - O que meus calos dizem sobre mim (Vocal Jazz/Bossa Nova.) |
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68.
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Blind Guardian - The God Machine (Power Metal.) |
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69.
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Sigh - Shiki (Avantgarde/Prog Metal.) |
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70.
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DJ Sabrina the Teenage DJ - Bewitched! (House.) |
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71.
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Knife Girl - Uniform (Indie Rock.) |
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72.
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Beth Orton - Weather Alive (Art Pop/Singer-Songwriter) |
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73.
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74.
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Silvana Estrada - Abrazo (Singer-Songwriter/Contemporary Folk. EP.) |
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75.
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FKA twigs - Caprisongs (Alternative R&B.) |
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76.
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77.
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78.
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Culprate - αριθμός τέσσερα (Folktronica/IDM.) |
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79.
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Mary Halvorson - Amaryllis (Avant-Garde Jazz/Chamber Jazz.) |
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80.
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Mary Halvorson - Belladonna (Avant-Garde Jazz/Chamber Jazz.) |
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81.
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DJ Re:Code - ReCodePop! (Hyperpop/Digicore) |
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82.
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DJ Re:Code - ReCodePop! [Disc II] (Hyperpop/Digicore) |
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83.
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84.
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Swarm - Swarm (Stoner Doom) |
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85.
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Imperial Triumphant - Spirit Of Ecstasy (Avant-Garde Metal) |
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86.
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Horse Lords - Comradely Objects (Experimental Rock) |
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87.
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Moin - Paste (Experimental Rock) |
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88.
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Josephine Foster - Godmother (Contemporary/Psychedelic Folk) |
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89.
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MJ Lenderman - Boat Songs (Slacker Rock) |
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90.
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Otobeke Beaver - Super Champon (Garage Punk/Hardcore Punk) |
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91.
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Alela Diane - Looking Glass (Contemporary Folk) |
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92.
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Munly & The Lupercalians - Kinnery of Lupercalia: Undelivered Legion (Gothic Country) |
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93.
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Shoko Igarashi - Simple Sentences (Progressive Electronic/Synthpop) |
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94.
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Feli Colina - El valle encantado (Art Pop/Latin American Folk) |
