Shining (NOR) - Animal - review
Shining (NOR) - Animal - review
Tracklist
01. Take Me02. Animal
03. My Church
04. Fight Song
05. When The Lights Go Out
06. Smash It Up!
07. When I'm Gone
08. Everything Dies
09. End
10. Hole In The Sky [feat. Linnea Dale]
A review by
Ivor October 08, 2018
I've been wondering if the lyrics of "When I'm Gone" are something that's going to bite Shining (NOR) one day and whether this countdown on the path of possible decline starts now. "I / I want you to remember me / Remember how I used to be / Not how I'm now." I wonder if Animal is to Shining (NOR) what One Second is to Paradise Lost sound-wise. The first notes of the album opener, "Take Me," are guaranteed to take you by surprise. How you react to the almost cheesy-sounding opening synths and the following rock sound will define whether you can accept what is basically a straightforward hard rock album.
Reiterating what I said 5 years ago, to evolve from jazz to Blackjazz is a huge stretch of imagination, but eventually the question arises: what is there beyond Blackjazz? Animal is what I expected International Blackjazz Society to be after One One One. Albeit one album later, it is still a very decisive step away from the chosen path and an attempt to find a new sound. This is where Shining (NOR) are choosing to ignore the expected and try to reinvent themselves. The main question then is, given their track record, are they actually daring enough?
The answer to that is likely a no. It's not that to make the change doesn't take courage or effort. That's beyond discussion here (or anywhere). Shining (NOR) have been able to reinvent themselves spectacularly in the past. Their avant-garde songwriting has been so insane that "curveball" is probably the simplest of patterns you could use when describing their music. Putting it on the line, Animal is about as straightforward as a yardstick. On the tail of the Blackjazz phase, it's about as interesting as a goldfish in a bowl.
However, and I'm not just playing devil's advocate here, judging the album on its own merits, it is far from being uninteresting or no-good. Yes, it's straightforward. Yes, the saxophone is gone. Yes, it severely lacks in the insanity, fury, and rage departments. However, it's still a pretty neat and, more importantly, fun hard rock album. It's Shining (NOR), mainstream edition - which brings me to the true question posed with this album: what if this were the least-expected direction from the band? What if, all things considered, they have actually succeeded in being unpredictable through simplicity?
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