Kamelot - Poetry For The Poisoned review
Band: | Kamelot |
Album: | Poetry For The Poisoned |
Style: | Symphonic power metal |
Release date: | September 10, 2010 |
A review by: | Daniell |
Disc I
01. The Great Pandemonium [feat. Björn "Speed" Strid]
02. If Tomorrow Came
03. Dear Editor
04. The Zodiac [feat. Jon Oliva]
05. Hunter's Season
06. House On A Hill [feat. Simone Simons]
07. Necropolis
08. My Train Of Thoughts
09. Seal Of Woven Years
10. Poetry For The Poisoned
1 - Part I: Incubus
2 - Part II: So Long
3 - Part III: All Is Over
4 - Part IV: Dissection
11. Once Upon A Time
12. Where The Wild Roses Grow [bonus] [Nick Cave cover]
13. Thespian Drama [Japanese bonus]
Disc II [Live from Wacken 2010]
01. The Great Pandemonium
02. Human Stain
03. Center Of The Universe
04. Pendulous Fall
05. Hunter's Season
06. Karma
07. Forever
08. March Of Mephisto
[Super Limited Collector's Edition Bonus 7" Vinyl]
01. Rule The World [Live - Wacken]
02. Thespian Drama
Kamelot, at least in my eyes, has always been a band that sought their own path through the world of metal. The most fitting description of their sound is, no matter how I hate to admit it, power metal. Not the cheesiest, happiest German type, but power metal nevertheless. What made it more distinguished than most of the other power bands were Thomas Youngblood's distinctive guitar style, clever use of keyboards and orchestrations, and, above everything else, Roy Khan's vocals - so unlike any other metal singer, so non-metal so to speak. These three essential elements carried Kamelot's music through almost 20 years of their career, which has been on the rise all that time. Being quite a prolific band, they managed to deliver 9 full length releases, whose quality was constantly satisfactory, with occasional hints at excellence (Epica, Ghost Opera). Some progressive and symphonic elements crept into Kamelot's music in the meantime, making it richer, more textured and ambitious.
Alas my friends, not anymore. Poetry for the Poisoned is a letdown. The courage that Kamelot had to implement new elements into the fossilized body of power metal was enough for one brave, enjoyable song, "The Great Pandemonium." Electronic beginning, growling in the background, dense drumming that almost turns into blastbeats at the end. If it wasn't for the vocalist, it'd be hard to recognize Kamelot. The song is tight, to the point, and it genuinely hooked me up for the rest of the album. Bravo gentlemen, you're expanding your sound!
Too bad you don't know which direction you want to take your expansion. "If Tomorrow Came" is a typical power metal number, "The Zodiac" is a boring, theatrical exercise in role-playing, "Necropolis" balances on the edge of some kind of shy, half-hearted industrial rock. An honorable mention should be made about the terrible "House On A Hill." A few more songs like this and Kamelot will become new kings of sickeningly sweet cheese called power metal ballad. When I heard the verse "Cry me a river," I literally fell off my couch. Seriously, Michael Bolton meets Whitney Houston. It's scarier than "The Shining"! The title track, an ambitious four-part opus, doesn't save the day. It seems to go nowhere and everywhere at the same time. As a result, my finger hits the "STOP" button.
I can understand why the band wants to play a bit differently after 19 years of existence. But I was kind of hoping that they would figure it out during those 3 years that passed since their previous release. Apparently they had so many ideas for the new album that they couldn't make up their minds, so they crammed every idea they had into those 11 songs. The result is dubious. It'll probably scare off many old fans (like me) and won't bring too many new ones. Fanboys will be delighted, I'm sure, but they'd be delighted even if Khan started to fart in a melodic way. No offense, but this is just one inch over crap.
Rating breakdown
Performance: | 8 |
Songwriting: | 6 |
Originality: | 7 |
Production: | 7 |
| Written on 18.09.2010 by Writes overly honest and totally subjective reviews when fancy strikes him. Which is not often. Which is probably good, all things considered. |
Rating:
9.0
9.0
Rating: 9.0 |
Brilliant. This cd will probably be totally misinterpreted by many, but after listening to it enough it finally dawned on me that Poetry for the Poisoned is just an evolutionary step of Kamelot's musical genius. It's nice to see this band evolving and growing from their power metal roots into something which appeals more to the musically inclined as opposed to serving up the same driving beats and power chords cd after cd. Welcome to the world of progressive metal. Read more ›› |
Rating:
8.2
8.2
Rating: 8.2 |
Three long years fans had to wait for an all new full-length studio album, and here it finally is. So what's the deal on Poetry For The Poisoned? In a word - great, although not as great as expected. Kamelot is one of those bands that kept improving from album to album until they reached their zenith with the incredible The Black Halo. The following release was a letdown for many fans, because of new influences on the band's sound. If you are one of those fans, then better pass on this record, since it's one step further along the same road. If you however, like me, loved Ghost Opera, definately give this one a try. Read more ›› |
Rating:
8.8
8.8
Rating: 8.8 |
It's been 5 years since Poetry For The Poisoned was released. Five long years in which illustrious Kamelot and Conception vocalist decided to bid farewell to the music industry as a whole, for a higher cause, and it was the first studio appearance of original bassist Sean Tibbetts, after long-time bassist Glenn Berry had left the band. Read more ›› |
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