Conversely, I listened to this whole thing as soon as you sent it to me, but I didn't have time to write any comments. Here's one at last.
I always appreciate any mention of Rory Gallagher. I also appreciate you asking the mandatory question; Scorsese is not really
that unusual a choice, especially considering how much
Chapel Of Disease have been taking cues from more traditional rock and heavy metal bands. He does have several highly acclaimed concert films in his catalogue, after all. I'm sure there are better fits out there, though. I'd have to spend some time seriously thinking about it.
This was a really interesting conversation from start to finish, and a lot of it is due to the fact that that's what it feels like: a conversation, not so much a formally structured interview. I was tuned in the whole time because you guys had such insightful things to say about the state of things in modern music - as a culture, as a business, as a personal project - and I found myself in agreement with a lot of what was said, particularly, as Starvynth also highlighted, in regard to AI and the financial side of music. It was a pleasure to listen to, surely one of my favorite interviews on this site.
I did listen to that
Winterhawk album as well; it's a little outside what I would say I usually look for, but it was definitely an intriguing album, very well-performed and well-written. The
Rush comparison you can hear from a mile away, and I could see the
Judas Priest reference as well. I did like it, and I think I'll have to listen to it more in the future.
My main conclusion is that I need to listen to more
Chapel Of Disease. I know I liked the one with the really long title, and then
Echoes Of Light made a strong impression on me the way their previous stuff hadn't, but I still have yet to go back and listen to any of it over again. I need a closer listen of
Echoes Of Light as well, because while I've enjoyed
Chapel Of Disease over these years, they're not a band I have an active sense of, and so when you and many other people refer to these albums as future classics, I get intrigued. Certainly hearing about the band in such depth from Laurent himself makes me even more interested in getting to know them better.