Punk Albums For Metalheads...Or Metal Albums For Punk Rockers
Written by: | Doc G. |
Published: | May 06, 2011 |
Some people despise it, some people will even go as far as trying to deny their importance to one another. Love it or hate it, metal and punk have always shared a relationship of sorts. Hardcore crossing into thrash, the heavy riffs of Black Sabbath being incorporated into hardcore. Here is a concise list of some great albums that celebrate the blurring of lines between these two drastically different, yet simultaneously similar genres.
The Must Hear Classics...
First off, we have the albums that most have at least heard of. A great place to start growing an understanding of the different elements that make crossover...
Venom - Welcome To Hell While it may not be the first thing that comes to mind when you think "crossover", Venom's debut epitomizes the collision of metal and punk. It takes the top speed aggression shown in early hardcore (of which played a crucial role in the forming of early thrash), as well as the DIY feel also associated with early punk rock. Take this raw aggression, mix it with the heavier tones and darker imagery more closely associated with earlier metal. These basic components, whether intentionally combined or not, set the tone for a good majority of extreme metal to come, making this one of the most important pieces of the list. |
D.O.A - Hardcore '81 Choosing amongst the founders of hardcore as to what album to throw in here, 3 names came to mind: Black Flag, Bad Brains, and of course D.O.A. While all bands played a detrimental role in the evolution of extreme music on both sides of the fence, D.O.A are considered by many to be the very first, this album being cited as the first reference of the term "Hardcore" by many. Despite setting these landmarks, Joey Shithead and his ever revolving crew of band-mates always seemed somewhat overshadowed by the likes of Bad Brains & Black Flag. Bad Brains had their own unique style of blending reggae and soul into the mix, while Black Flag drifted into music that can be considered far more metal than that of D.O.A, and gained much notoriety after the fact from the charismatic frontman Henry Rollins' other exploits. D.O.A kept it simple, sticking to their original, straight-forward hardcore. If nothing else, D.O.A and the genre defining Hardcore '81 make it onto this list for sheer consistency & timelessness. |
The New Classics...
Now we move onto to a couple of albums that have not had the aged quality to be considered true classics, these are a great representatives of what crossover has to offer today. These are albums that will undoubtedly stand the test of time to be considered important pieces to the puzzle of this musical evolution.
Municipal Waste - Hazardous Mutation This one was an obvious choice. In recent years the word "hardcore" amongst the metal crowd had become almost taboo; rarely did it produce decent results on any real quasi-mainstream level. The word had become more associated with preachy straight-edged, macho tough guys with shaved heads, marching around beating their chests, swinging their limbs wildly, hoping to make savage connections to someones face. Municipal Waste re-introduced the metal world to what hardcore originally was; a music with a far more primitive approach meant to destroy the gap between audience and performer. Municipal Waste manage to capture this simplicity while fusing it with a breed of top-speed, modern thrash. Not only do they capture the essence of punk rock in it's simple attack, but they write lyrics with a far more identifiable spin. This is a band that doesn't write lyrics with from any position of superiority meant to educate (in other words; preach), it simply says "Hey dude, let's party." While the choice between this or The Art Of Partying is a close call, Hazardous Mutation represents their finest balance between the two genres at hand. |
Toxic Holocaust - ...An Overdose Of Death Running parallel with Municipal Waste we have Toxic Holocaust. While Municipal Waste play a form of punk coated in metal, Toxic Holocaust play metal drenched in punk. While their punk side leans a little further away from hardcore than the 'Waste, the gritty, no-gimmicks attack which is this album still manages to display it's influences quite blatantly. The unique production work of Jack Endino was probably the wisest choice. While it's still clear enough to have a full-bodied sound, Endino's appreciation for analog equipment left it with enough earthy charm to pass off as a form of DIY. |
Some Hidden Gems...
You've heard all of these other bands, experienced all the fun such simplicity has to offer? Well, now it's time to throw some at you that will certainly add to your repertoire of metal-punk crossover knowledge.
The Lurking Corpses - Smells Like The Dead http://www.myspace.com/thelurkingcorpses/music So we've visited a lot of hardcore, but what about punks more melodic side? ...Somewhat more melodic side. As it's probably easy to tell, The Lurking Corpses are crazy about The Misfits...and early death metal, apparently. It's a cheesy (yet thoroughly enjoyable) mix of that Danzig 50's style croonin', then switches over to some sparse, crusty old school death metal. Even King Diamond drops his influence in here and there. Funny, a bit gimmicky, but interesting no matter how you slice it. |
Kill Cheerleader - All Hail http://www.myspace.com/killcheerleader (Warning: their myspace has fallen into severe disrepair, youtube searches will have better results. In fact, to make things easier, here is probably their most standout track.) Now this sound is going real old school. A good way to describe this band is a teenage Motörhead playing Ramones songs. Considerably more melodic than hardcore, yet certainly nowhere as goofy as The Lurking Corpses. This album tells the entire tale of this bands short-lived career; you can definitely hear that scummy sound of desperation, a certain depressing undertone even beneath some of the more poppish, upbeat tracks which, in that aspect is quite akin to The Ramones. Needless to say, the sound makes sense when considering the wretched fate that would befall this band; most members losing interest due to severe drug abuse and one of the core members ending up in striped pyjamas. A real shame, considering this band would have gone far with Lemmy's stamp of approval, who has been cited as calling Kill Cheerleader "the greatest rock n' roll band since Guns N' Roses." But alas there is a silver lining to every black cloud. In one of the last publicized conversations with the band (post-breakup), another key member seemed completely apathetic toward the fact that their only album was now out of print, and told people just to go download it. So if you can find All Hail on the net, you can pirate it guilt free. |
Led To The Grave - Led To The Grave http://www.myspace.com/ledtothegrave/music Representing possibly the least sophisticated blend of metal-punk on the list, this is pure aggression. Basically it's a mix of Slayer, Skeletonwitch, and Municipal Waste. Angry sounding crossover made even angrier by the injection of black metal. Some may call it amateur, I call it a grand example of DIY appeal. Definitely a good way to end off this introductory list, as the simplicity perfectly exemplifies that of punk, and the heavy aggression of metal. |
Want more? For further exploration into this blending of styles, a highly recommended source is the Metal Punk Death Squad, where you kind find a plethora of recommendations, as well as links to regional chapters.
For further reading into the more detailed account of the ongoing relationship between metal and punk, This Ain't The Summer Of Love by Steve Waksman offers a great insight to the most historically well-known bands & happenings of the early formation of the metal-punk crossover world.
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