Dimmu Borgir - Death Cult Armageddon review
Band: | Dimmu Borgir |
Album: | Death Cult Armageddon |
Style: | Symphonic black metal |
Release date: | 2003 |
Guest review by: | Justin |
Disc I
01. Allegiance
02. Progenies Of The Great Apocalypse
03. Lepers Among Us
04. Vredesbyrd
05. For The World To Dictate Our Death
06. Blood Hunger Doctrine
07. Allehelgens Død I Helveds Rike
08. Cataclysm Children
09. Eradication Instincts Defined
10. Unorthodox Manifesto
11. Heavenly Perverse
12. Satan My Master [Bathory cover] [bonus]
13. Progenies Of The Great Apocalypse [Orchestral version] [bonus]
14. Eradication Instincts Defined [Orchestral version] [bonus]
Disc II [Ozzfest Edition Bonus]
01. Satan My Master [Bathory cover]
02. Burn In Hell [Twisted Sister cover]
03. Devil's Path [2000 Version]
04. Progenies Of The Great Apocalypse [Orchestral version]
05. Eradication Instincts Defined [Orchestral version]
06. Progenies Of The Great Apocalypse [video]
Disc III [DVD Audio Surronded 5.1]
01. Allegiance
02. Progenies Of The Great Apocalypse
03. Lepers Among Us
04. Vredesbyrd
05. For The World To Dictate Our Death
06. Blood Hunger Doctrine
07. Allehelgens Død I Helveds Rike
08. Cataclysm Children
09. Eradication Instincts Defined
10. Unorthodox Manifesto
11. Heavenly Perverse
12. Satan My Master [Bathory cover] [bonus]
13. Progenies Of The Great Apocalypse [Orchestral version] [bonus]
14. Eradication Instincts Defined [Orchestral version] [bonus]
+ Progenies Of The Great Apocalypse [video]
+ Photogallery
Although the last couple of years have seen Norway's leading elite melodic black metal act Dimmu Borgir release a mini live E.P. "Alive In Torment" [2001] and the C.D./D.V.D. set "World Misanthropy" [2002], it's the studio follow up to 2001's "Puritanical Euphoric Misanthropia" that fans have been really waiting for with high anticipation.
Once again they have entered into Sweden's Studio Fredman for "Death Cult Armageddon", and what a monument result the band have accomplished. Dimmu Borgir has boldly upped the ante in every aspect of the genre with their seventh, and most powerful studio release to date, with "Allegiance" the first number to make a stand. In typical Dimmu Borgir fashion, the opener wreaks devastation from the opening bars, with the mix of traditional black metal and subtle orchestration.
It's only within the second track 'Progenies Of The Great Apocalypse' that you soon notice that the extremities have been pushed notably further to polar extremes with the grand orchestration playing the dominant epic nihilistic lead role. Soaring melodies [Vortex's operatic clean vocals] mix with demonic lows [Shagrath's distorted harsh sounding vocals] in this towering effort that almost sound soundtrack like. Guest vocalist Abbath [from the recently split up Immortal] adds his distinctive touch to a few lines at the beginning of the song, while also making his return in the experimental sounding 'Blood Hunger Doctrine'.
From here on in, the remaining epics making up the rest of "Death Cult Armageddon" move from the huge symphonic sounding monoliths such as the Norwegian sung 'Vredesbyrd' and 'Eradication Instincts Defined', while counteracting this is the pure black intensity of 'Allahelgens Drd I Helveds Rike', 'Lepers Amongst Us', the almighty 'Cataclysm Children' and the crushing album highlight of 'Heavenly Perverse'.
Both 'For The World To Dictate Our Death' and 'Unorthodox Manifesto' however bridge the gaps between both worlds with a stunning mix of black metal and orchestration, only serving to highlight the dynamics within the music.
Just like the accompanying artwork, Dimmu Borgir have moved forward once again into something new and unchartered, making "Death Cult Armageddon" Dimmu Borgir's most diverse and experimental album to date.
Along with the songs and stunning musicianship, the crisp production sound amplifies the dramatic nature of the album, making Dimmu Borgir all the more frightening while summoning the oncoming Armageddon upon the world of the weak and the frightened. Many so called purists will no doubt claim that the band have sold out, and complain that they've left their true metal roots behind, but my belief is the total opposite. Dimmu Borgir has simply pushing black metal that one step further beyond the predictable without losing focus on the scene's original ideals and beliefs.
Written by Justin | 16.09.2003
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Rating:
9.4
9.4
Rating: 9.4 |
I am not a great fan of black metal, especially not fairly well-produced "raw"/"brutal"/"intense" black metal. I listen to some atmospheric stuff, but that's all. I am not a great fan of symphonic metal either, in my opinion not many bands succeed to create symphonic metal with enough quality. Rhapsody of Fire is one band that manages to do it, and Therion as well even if their symphonic arrangements are more in the background in some way. But with this album, the band Dimmu Borgir has managed to create my favourite symphonic metal album, and probably also my favourite black metal album ever. It's also definitely my favourite Dimmu Borgir album, and I know a lot of people will disagree here... Read more ›› |
Rating:
8.0
8.0
Rating: 8.0 |
After Puritanical Euphoric Misanthropia it is arduous for any musician to repeat something to that level, but Dimmu Borgir got really close to it. As a normalcy, the album starts with a symphonic part, but the riffs in track 1 are not something distinctive. The orchestral part is really trying hard to help this track look exceptional but sadly unsuccessful in my opinion. "Progenies Of The Great Apocalypse" is the ooze of Mustis's talent; Vortex's clean vocals rule, and that sudden blast after the clean part when all of them are riding their instruments like a wild horse is terrific. The piano plays a huge part in this section, which is really noteworthy. Read more ›› |
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