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Nadja - Queller review



Reviewer:
8.2

30 users:
7.87
Band: Nadja
Album: Queller
Style: Ambient Drone, Doom metal
Release date: February 17, 2014
Guest review by: Alex F


01. Dark Circles
02. Mouths
03. Liderc
04. Quell

For those unfamiliar with the might of Nadja, let me give you a quick rundown. Aidan Baker makes more music than everyone except Senmuth. Most of it is shapeless ambient and drone that is nothing short of breathtaking, and the band has experimented with different artists, styles, and techniques that would seem unorthodox even to the most steadfast heathen. Their best release from 2014 does no different then add another impressive milestone in the seemingly endless journey Nadja are attempting to create.

Queller is, in direct contradiction with part of my opening, possibly the most structured album of this band, even maintaining defined choruses and verses at parts that seem to fluidly drift in and out of one another with majestic simplicity. The ambiance is not lost, as background synths and heavily layered guitars build an impermeable fog of mystique for the listener to indulge in. Each subsequent playthrough provides a new perspective of the album, revealing the many influences Baker and Buckareff have incorporated.

The guitars are heavily fuzzed out allowing the bass-heavy sections to take a colossal form, and forcing high-ends to ring sharply through your speakers, drawing immediate attention. The riffing (if you can even call it that) is generally a form of monotony that relies heavily on the many background aspects of the music to provide the most noticeable variation in each song. Despite the general disapproval of monotony, Nadja clearly know how to incorporate this technique to their advantage, as you drift into a state of euphoria and become engulfed by the album's full potential.

Both musicians in the band add to the vocals, and this is really where Queller proves its value in Nadja's discography. Haunting clean vocals nearly sigh out from under the thick layers of bass and guitar to slowly stir the mixture of instrumentation into a gentle swirl of bliss. Even at its harshest, the album bears highly comforting tonalities and approach.

Queller is curiously approachable, despite maintaining many of the aspects that may be off-putting about Nadja. The accessibility stems directly from the warm tones created in the production and layering of breathtaking cleans under thick distortion. Do not let the band's past push you away from listening to this 2014 release, as chances are it will simply open the doors to a world of less digestible ambient and drone for you to immerse yourself in.


Rating breakdown
Performance: 8
Songwriting: 8
Originality: 8
Production: 9

Written by Alex F | 15.01.2015




Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.


Comments

Comments: 5   Visited by: 36 users
15.01.2015 - 23:29
Auntie Sahar
Drone Empress
Very good review. As I've already told you, I was a bit busy with other stuff when this came out to review it, so I went the lazy route with the Staff Pick, but it seems you did it a lot more justice than I think I could've. I like how you say that this may be a good album for people who found other Nadja releases too uncompromising to try to get into the band again, I'll keep that in mind when suggesting them
----
I am the Magician and the Exorcist. I am the axle of the wheel, and the cube in the circle. “Come unto me” is a foolish word: for it is I that go.

~ II. VII
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15.01.2015 - 23:31
Rating: 8
Alex F
Written by Auntie Sahar on 15.01.2015 at 23:29

Very good review. As I've already told you, I was a bit busy with other stuff when this came out to review it, so I went the lazy route with the Staff Pick, but it seems you did it a lot more justice than I think I could've. I like how you say that this may be a good album for people who found other Nadja releases too uncompromising to try to get into the band again, I'll keep that in mind when suggesting them

I think I should have elaborated more on that point, because I feel like it's really one of the album's strongest points. Definitely a good album to start with for those who are new to Nadja, simply because of how accessible it is (without losing the highly experimental edge the band has). Aidan Baker must be one of my favorite musicians at this point
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16.01.2015 - 02:01
Auntie Sahar
Drone Empress
Written by Alex F on 15.01.2015 at 23:31

I think I should have elaborated more on that point, because I feel like it's really one of the album's strongest points. Definitely a good album to start with for those who are new to Nadja, simply because of how accessible it is (without losing the highly experimental edge the band has). Aidan Baker must be one of my favorite musicians at this point

I need to check out more of the band. Really only explored this, Thaumogenesis, Sky Burial, and Skin Turns To Glass. Any others you'd recommend as mandatory?
----
I am the Magician and the Exorcist. I am the axle of the wheel, and the cube in the circle. “Come unto me” is a foolish word: for it is I that go.

~ II. VII
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16.01.2015 - 03:07
Rating: 8
Alex F
Written by Auntie Sahar on 16.01.2015 at 02:01

I need to check out more of the band. Really only explored this, Thaumogenesis, Sky Burial, and Skin Turns To Glass. Any others you'd recommend as mandatory?

My favorites (that you haven't heard) would be: Radiance Of Shadows, Desire In Uneasiness, Touched (Re-Recorded), Bliss Torn From Emptiness (Re-Recorded), Bodycage, and Dagdrom
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18.01.2015 - 05:20
Susan
Smeghead
Elite
"Aidan Baker makes more music than everyone except Senmuth."

Seriously though!!!

Their output is insane. I like an album a few years back and went to check out their discog but was too overwhelmed I'll start back up again with this one. Sounds like I'll dig.
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"A life all mine
Is what I choose
At the end of my days"
--The Gathering "A Life All Mine" from Souvenirs
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